War and suffering are terrifying, they bring death, bad news, panic, bombardment and a life of hardship, but at the same time they are empowering. This is not just Catrin alone. Those ordinary citizens who have worked hard to build a new life on top of the bombing rubble are empowered by the war with their optimism and courage. And Sophie Smith, an elderly single woman, didn't even dare to go to the morgue to recognize her brother's body, but she quickly cheered up and offered to continue her brother's career as an acting agent. Her courage made Ambrose no longer stubborn and started a career. In the second spring, she pursued her own happiness more boldly. Not only women, but also Ambrose, an outdated actor who is immersed in the past. He is old and weak, and he does not look down on the current film industry, and the current film industry does not look down on him, and all he receives are perfunctory. supporting roles, the spotlight belongs to the young faces. Catrin's persuasion, but also her keenness and talent, allowed Ambrose to find new hope for his dying acting career. This experience changed him even more. When Catrin gave up his screenwriting career because of Buckley's death, this time it was Ambrose who came Inspiring her, "This is a rare opportunity for you and me, and we should take it and not let death hang over us." I think the film is feminist enough because it's not just about women The single issue of obtaining rights and interests, it focuses on more disadvantaged groups, how they can shine in the most difficult situations, and are more willing to challenge themselves, accept changes, and let themselves grow. And what makes Catrin grow up is love. Her first unrepentant love was out of her admiration for the talent of the other party, and she was willing to sacrifice herself to follow him unconditionally. Therefore, when Catrin had a career she loved, it was a betrayal in the eyes of the other party. And she never had to look up at Buckley. Buckley kept admiring and affirming Catrin's talent and progress in the screenwriting career. It was the mutual sympathy of the two screenwriters that brought them together. For me, whether it's "you're so beautiful" or "you're so sexy", it can't equal "you're more talented than them" or "you're in a good state recently", I can feel Catrin's heart when he hears these words of sweetness. When every progress and achievement in the cause you love can be equally appreciated and affirmed, there is nothing better than this. Love, however, can be both euphoric and depressing, and when Buckley died, everything about the movie was emotional for Catrin. But what she chose to remember in the end was Buckley's trust and encouragement, which made her dare to come up with her own ideas more boldly. The voice from her lover is not her imprisonment, but the driving force that empowers her and makes her more confident. Dare to be more daring to come up with your own ideas. The voice from her lover is not her imprisonment, but the driving force that empowers her and makes her more confident. Dare to be more daring to come up with your own ideas. The voice from her lover is not her imprisonment, but the driving force that empowers her and makes her more confident.
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