Trapped.

Marilou 2021-10-22 14:32:29

It may be because he knew the label of "suspense" in advance. When Paul finished writing the novel and embarked on a snowy road, he was wondering whether the stories that happened afterwards were just a part of his novel, an illusion. One of the Chinese translations of "Ten Days in Crisis" made me jump out of the scene of "Ten Days" in a daze. It really has nothing to do with the story in the film. Stuck.

At first, I felt that Annie's smile was so weird, hidden murderous, bright as the snow and clear weather, like an invisible gale, that made the corners of people's eyes twitch. The picture made in 1990, 20 years later, seems to have the melancholy freshness of the moment, and Annie herself is an out-and-out snarling girl. Even if the tones of her clothes are warm, they are soaked with ink and become gray, while she and the magical big pet pig are lying on the bed eating potato chips and watching entertainment scenes, and they go home and transform into white-collar workers. The state of the messy rotten girl is exactly the same.

When Annie ranted his extreme hatred for Paul’s new book "crude language", Paul, who had always thought "she is a lifesaver", was at a loss. His expression revealed his underlying meaning. This is not because Annie’s accidental emotional out-of-control, but Literati are always very keen. He began to look at the environment he was in for the first time, and for the first time he felt helpless: the road to the outside world will not be repaired.

Since then, Annie's sickness has become more and more obvious. I think she always feels a kind of colic in her heart, even if she smiles like ripples on the surface of a lake. When she launched the incinerator, her colic went from forbearance to inexplicable tragic, there was the kind of "TMD, what on earth do you want?! I'm here to redeem you, you don't know how to be a big bastard but don't care about it," Do you have to let me kill you! Ah?!" The sense of tragic and heroic.

Later, Paul learned obediently, but the Tao is one foot taller than the devil, and the smart novelist can't understand the logic of this idiot. Her humanity and fantasy are full of unbalanced conjectures. Since she assumed herself as the character in Paul’s novel, Misery, Misery’s dystocia caused the nurse-born Annie to have the sorrow that she couldn’t get out of. She couldn’t help wondering, if Misery lived a happy and fulfilling life in the novel, would it be Annie’s Life will be a different world, and perhaps her paranoid nerves and other multiple factors will gradually calm down because of her good heart. It is always difficult for people to find inner balance. Paul used to write a book to solve it, and the humble and nameless Annie used her novel. This is a vicious circle effect. Once it falls in, the causal connection does not stop.

The pig is really strong. When I entered the screen, I thought it was "sent" to eat Paul's rotten leg. Maybe the influence of the pig as a corpse evidence processor in the western series "Deadwood" is in my mind. Some are rooted, and they are always a little afraid of pigs that eat everything. Fortunately, it's just a soy saucer and only appeared on the scene three times.

Compared with pigs, I thought that the old policeman would be the terminator of the story. Unexpectedly, the plot developed so abruptly that this old policeman with a cool hat, a nice coat, and a very peculiar verification thinking became an out-and-out fight. soy sauce. But soy sauce brother played well, his appearance always gave people a tense mind, expectation and disappointment, especially the last "returning carbine", desperately falling down in great hope, like an old-fashioned video recorder suddenly stuck . Then after abruptly stopped the slightly blank surprising rest, a steeper one came, which coincided with the ups and downs of the symphony.

The stories are intertwined and very compact. Annie's big face changed subtly and violently, and her humanity grew in both directions in helplessness and plunder. Later, Paul returned to the urban life in New York. In the high-end restaurant, Annie's face appeared in his mind. Annie was trapped in the end of the novel that he did not satisfy her, and he was trapped in the shadow of Annie's shadow.

Off-film
0 I always write a lot inadvertently, just finish it so hastily, so as not to disturb the interest of those who haven't seen it.
1 Now when I think about it, it will appear that annie is holding Paul Benzo and the knife in the bed, like a ghost, Liang Yan said innocently, "Are you looking for this?"
2 A girl who was watching the movie with me said that it is better to stay close to each other like China, and you can know what's happening.
3 Annie's house is really complicated, with so many groceries and no trace of dust. Even in such a remote town, the houses are so good, and there are basements.
4 Stephen King's works, made into movies, always have unexpected surprises.
5 Fortunately, I watched the other films of Casey Bates, otherwise the scene mentioned in #1 will continue to linger in my mind for a long time.

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Extended Reading
  • Damon 2021-10-22 14:41:14

    Casey Baez plays the hysterical, jolly crazy book fan is really into the woods, she alone can support the main beam, can be called a classic thriller movie.

  • Lupe 2022-03-23 09:01:26

    The heroine won the Academy Award for Best Actress for the film. Impressive performance! The thriller atmosphere of the movie was brewing very well, and my mood also kept going up and down. Great script and performance!

Misery quotes

  • [last lines]

    Waitress: Excuse me, but are you Paul Sheldon?

    Paul Sheldon: Yes.

    Waitress: I just wanted to tell you I'm your number one fan.

    Paul Sheldon: That's... very sweet of you...

  • Annie Wilkes: I'm your number one fan. There's nothing to worry about. You're going to be just fine. I will take good care of you. I'm your number one fan.