Bazin discovered the connection between sound and time, the rhythm of life. Like an urchin, Mr. Hulot tore apart the rational self-world of adults, breaking the harmony and tranquility of people's communication and life. In fact, Mr. Hulot often played with children, resulting in all kinds of uncoordinated sounds. At the end of the film, Mr. Hulot lit the fireworks hidden in the house, and his performance and attention to the sound reached the climax. The sound is not of the ego, but of an external thing, including the screeching groan of the wrecked car, which is evil. But for Mr. Hulot, it is a dream world, showing another happy world of the self. At the end of the holiday, only a few people said goodbye to Mr. Hulot, and many people hated what he did, and the philosophy of this voice, which represented an unbearable and unbearable reality. Real existence tells the audience. For Mr. Luo, sound is its own deconstruction, the negation of language norms. There are two voices here, one is Mr. Hulot's speech, and the other is an external voice. It is interesting that Mr. Hulot speaks politely. The mixed world of dream and reality, disgust and pleasure, evil and serenity, ego and id is constructed and deconstructed by sound.
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