Cinema easy to read version
Watching "The Invisible Man" is like talking about a heart-wrenching relationship. At first, the two of you are like glue, and soon you are in love, and then everything starts to become a little boring, until the boring disintegrates the romance, and finally breaks up with regret and disgust, swearing to die forever When you interact with each other, you will think of this past from time to time when you are alone. Of course, if you meet a third party and ask each other what is going on, both parties will still say in unison: "He/she is a hopeless bastard."
Judging from the story, "A man who wants to control wants to control a woman who does not love her" is not a problem. It can also be said that it fits our stereotype of a power person "a grumpy man" (you can think of many Objects, such as the old testament version of God VER, or the grumpy little seven boss with a beautiful daughter at the corner of your house, or a big boss who would be uncomfortable without looking at him...) This also makes This film has a very retro scent everywhere, especially when you compare it with the 2014 "Control", the invisible man produced in 2020 is actually full of old man.
You may have noticed that many places in this film pay tribute to David Fincher's "Control", and just keep talking about "control" in the lines, as if the audience is afraid that the audience will forget the point of this film. The plot is just the reverse of the male and female roles, turning into a man’s corpse, but the woman who thinks to get rid of him is actually still living under the man’s plan (just like you and I are living under the "God’s plan"), and besides People do not believe what the woman says, so the woman has to find a way to fight back against this "hidden" man (just like God), and the man then uses a third person to resurrect the corpse from the perpetrator to the victim, shouting " "He kidnapped me" and then came to a resurrection drama. Except for women's friends who believed in this, no one in the public believed that all this was the man who returned was the initiator of all this.
Of course, because in this version, the IQ of the man who planned everything is worrying, so the heroine's resistance has become ridiculous. This is why the inventor should not be the one who abuses the invention at the same time, because this kind of IQ gap will make the audience. Doubt the IQ of the screenwriter.
Why is it that two people who are facing each other will be beaten by a fist from the right side as if it was beaten by the other with both hands in front of them? Why is there no monitor in the restaurant? Why invisibility is not empty talk today (you can GOOGLE a report titled "Israeli researchers develop invisibility cloak – but you can't see it, yet", or "Hyperstealth Invisibility Cloak 9 Minute Promotional Video" by HyperStealth in Canada Demonstration film) A woman who reasonably claims that she has developed an invisible technology as a partner of an optical expert is not believed? And how does the man cheat the corpse? (I can accept the invisible technology in the film, but want me to accept the corpse? Will I have more fun after the continuous withdrawal?) Since the hostess found one in the attic The mobile phone was full of photos of her in the middle of the night. Couldn't this be shown to her black police officer friend and used to prove it? And why did the female chief move the invisible outfit away from its original location but still hide it in the mansion without taking it away, and the man doesn't know that the invisible outfit is missing? How can the male lead’s brother, no matter how powerful a lawyer, escape the crime of murder for the female lead? Not to mention that the hostess was sent to a mental hospital. This is the best way to deal with her accused of murder. Is there a way to help her get her innocence?
One problem after another in this kind of film finally makes the plot of the film unable to withstand scrutiny and scrutiny, and cannot meet the needs of the audience at the level of wit, but can only stay in the atmosphere shaping, such as the opening scene from the bed to the escape, and then to the car. The above is a very good scene. We don’t need to listen to any lines. We only need to watch Elisabeth Moss's performance to know how scared the heroine Sisi is, so we have to run away from this man. All kinds of camera movements keep me guessing who is watching now. The unusual movement of objects in the screen, or the character walking out of the screen, or the camera moving earlier than the character, continue to accumulate us. The suspense in the heart, if the director is a little self-knowing, just calm and careful handling of this part is enough to satisfy the audience. A little bit of mechanical sound under the extreme silence can make the audience feel very strange, which is rare in commercial movies. Qingquan (because most of the time these commercial movies are always full of noisy sounds, the director uses these sounds to tell the audience how you feel now) instead of turning into action scenes after another in the second half, or even at the end for a turning point And the turning point (seriously, letting everything be done by the younger brother is already good? Why do you want to say that your brother is not dead? I will ask, is it because my brother knew that his brother would fail so I found someone to tie himself back and then Is it sealed in a concrete wall? If your brother doesn't come back, wouldn't your brother starve to death there?)
In the second half of the movie, we tried to use "this may not be the man's doing" to spoil the plot, but we did not see the possibility of "this may not be the man's doing" in the front, or step back and say, even if No, so what? Are you talking about slandering the opposite sex in the absence of evidence? (On the one hand, we heard that the heroine said that how bad the man is. It is actually her own words. Of course, we can see the man’s grumpiness from the opening scene, but this cannot prove that the heroine’s accusation against him is Really) This is not "The Top Life of Johnny Depp and Amberhead"
The biggest question is, since the heroine is already pregnant, and if the heroine is thrown and beaten like this, wouldn't it be possible to have a miscarriage? Isn’t the man who favors the woman because the woman doesn’t love herself, so he wants the heroine to conceive to tie her up, and at the same time let her involuntarily love the "crystal of love" between the two, but because the woman is playing like Rufu Will it hurt to go?
The movie slowly throws the audience one surprise after another, but when you push it back, you will find it unreasonable. Of course, you can say that the man is a lunatic and he is not surprised at what he does. However, he is everywhere in the film. It seems that there is still a rational appearance, and some of the guards who attacked the hospital even avoided the vital points and shot them, instead of killing every one to ensure that no one leaked the high-tech. (By the way, if there is a monitor in the hallway, everything will still be exposed, and I can't think of any good reason not to put the monitor in the aisle of the mental hospital.) You can even say that I just watched the cool film without worrying about the details. , But to blame it is to blame the screenwriter for setting that all these are the conspiracy and tricks of a man with a high IQ (high rich and handsome), rather than a male college student picking up a glass of invisible water and spoofing his girlfriend's story, so for his setting I Of course, take it seriously.
The reason why the film of the invisible person is difficult to shoot is because the audience is a higher-level invisible person with a higher perspective than the invisible person, so the information processing needs to be more delicate.
And this makes "Control" look even more powerful. After all, the horror of "Control" is that Amy is not a monster (her plan will have unexpected errors, think about her corpse going on vacation and then being robbed over there. , You know that this episode is to say that no matter how successful Amy seems to be, how much work, she is still a mortal) is just a woman who hopes to use twisted means to obtain happiness, and her husband does become because of her. Better and regained her charm, the important thing is that she really knows her husband too well, knowing that his husband will never give up everything in hand in exchange for the freedom to leave him.
"You know you need me"
As soon as the lines of "Control" are compared with "The Invisible Man", the latter is obviously eclipsed, because in "Control" we can see the charm of Amy, the villain, and how she can pretend to be the world with a clear consciousness. , The appearance that the husband wants, but in "The Invisible Man" Ai Zhuoan is not at all charming, the rich and handsome are only on the surface, we can't see any morbid love he has for the heroine, for example, he mentioned earlier. He said that he would not hurt the heroine, but would hurt the person the heroine loved, but it was obvious that he did a lot of harm to the heroine directly in the film (here refers to the body, because the soul has already Vividly) So this role has no charm, as his brother told the hostess:
"He knows he needs you but you don't need him"
Isn't a woman worthy of a charming and IQ evil villain as an opponent to defeat? Must it be a powerful but headless idiot (such as the black mask in "Harley Quinn") or the rich and handsome but headless Aizhuan of the film?
Finally, as a film with a budget of 9 million US dollars, it may not be fair to criticize that a bit evil and a bit cool "Thousand Eyes" in the film too few times. After all, animation is going to burn money, and you can see it. In order to enter the mass market, "The Invisible Man" abandoned many of the bloody parts of "Human Upgrade", such as the human body slices and some black humor, and replaced it with the daily life of a girl who has been abused. I don’t Knowing what Renal thinks, he may feel that it is because the female protagonist is unable to continue making dark humorous jokes. Of course, this kind of thinking itself is worse in my opinion. Unless you say the ending of the film, a woman who has been abused finally uses the machine that a man uses to persecute her to achieve her revenge, and she leaves with criminal tools in front of her police boyfriend as a foreshadowing, which is a kind of ironic black humor. I might agree that it was because she was in the skin made by men that she recovered the good complexion and red lips that were not available in the film. His machine plus her head, the two were still combined in the end.
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