Three words and two stories are still very marketable

Camryn 2022-06-20 18:16:20

The attraction between men and women, what is shown in the film is simply too lustful and sperm on the brain. Nick's behavior is terribly weird, like pushing Kara into a wild man's arms, making people suspect that he has a kinky addiction. So this is an ethical drama in which adulterers and prostitutes will never be rewarded? The ending point is even more speechless, just let the priest add a sermon on God's love for the world. The
only thing that looks good is Kara's indignant confession (a housewife-style coquettish, the signature action is lighting a cigarette and applying lipstick) and later Kara and Frank joined forces to fight back The plot of the blackmailing gang, and a scene where they eloped was not bad. The housewife ran away in the best white suit. After a while in the sun, she fell and remembered the decent life of the proprietress. After all, she couldn't let it go... Later, when Nick said that he wanted to sell the store, it was equivalent to deprivation. After realizing her meager ideals, it is logical to make up her mind to get rid of this man.
Also, we think the district attorney and the little lawyer are definitely having an affair...

View more about The Postman Always Rings Twice reviews

Extended Reading

The Postman Always Rings Twice quotes

  • Cora Smith: It's my wedding present to him, but the way he wears it, you'd think it was a noose around his neck.

  • [Arthur Keats enters, closes the door]

    Cora Smith: If it's the last thing I do, I'll put you out of business. There must be a law, even for lawyers.

    Arthur Keats: Of course you know the district attorney fooled you into that confession, don't you? And you fell for it, both of you.

    [small hrmph]

    Arthur Keats: He planned to get you working against each other. Don't you see?

    Cora Smith: You bet I see.

    [turning to Frank]

    Cora Smith: So when Sackett couldn't get anything out of me, he started in on you, and right away you turned yellow.

    Arthur Keats: Yellow? Yellow is a color you figure on in a murder, and nobody figures it better than Kyle Sackett.

    [to Frank]

    Arthur Keats: That was Sackett's trump card. Once he tricked you into signing that complaint against her, he knew no power on earth could keep you

    [to Cora]

    Arthur Keats: from turning on him.

    [back to Frank]

    Arthur Keats: That way he gets you both.

    Cora Smith: If you knew all that, why didn't you stop me from confessing?

    Arthur Keats: Oh, I tried. I tried, but nobody could've stopped you. However, now that you've got it off your chest...

    [moving to door, opening it]

    Arthur Keats: Kennedy?

    Ezra Liam Kennedy: Yes, sir?

    [enters]

    Arthur Keats: [closes door] That confession Mrs. Smith signed. What did you do with it?

    Ezra Liam Kennedy: I gave it to Jimmy White to lock up in your safe like you told me to.

    Arthur Keats: [opening door] That's all.

    [Kennedy leaves, he closes door]

    Cora Smith: You mean he's not from the D.A.'s office?

    Frank Chambers: He's a plainclothes dick if I ever saw one.

    Arthur Keats: He used to be a dick, but he's not a dick anymore. He works for me now. He's my gumshoe man. With the district attorney using high-pressure tactics, I had to fight fire with fire. Since you were due to spill the beans anyway, I figured you better do it to my man rather than to Sackett's.

    Cora Smith: Why, you...

    Arthur Keats: That's why I said we'd plead guilty, so as to stop everything cold in that courtroom before you blew your topper right there and then.

    Frank Chambers: Then the district attorney's got nothing against me.

    Arthur Keats: No, Frank, you're not even under arrest.

    Cora Smith: Oh, sure, he goes free, and I get tossed in for murder and attempt.

    Arthur Keats: Unless... unless you let me handle it.

    Cora Smith: Ha!

    Arthur Keats: Listen, my girl, you're still in plenty of trouble, 'cause we don't know exactly what evidence Sackett's got against us. From now on, you speak only when you're spoken to, and in that court tomorrow try to look as young and innocent as possible under the circumstances. And remember I'm the only hope you've got.