true chivalrous hero

Shanny 2022-09-10 21:54:57

People who rarely watch foreign dramas, don't spray me on children's shoes. This film tells the story of a foreign hero in Liangshan, a fallen noble (or deprived of his identity) who leads a group of like-minded people to fight against evil forces in Nottinghamshire.
Not too much love, Robin and Marianne, William and Zach. There wasn't a big scene. When the number was at its peak, it was only six or seven, and the opponent was the bad sheriff (or a bad sheriff who couldn't be killed by even being killed by agriculture). In fact, the reason is very simple. Imagine that Sherlock Holmes lacks Professor Moriarty, and Liu Bei lacks Cao Cao. What other stories can you tell? Although it sounds old-fashioned that the good does not suppress the evil, if the evil wins every time, I am afraid it will be difficult to make a film (regardless of China and foreign countries, ancient and modern, which drama have you seen in which the evil triumphs? Especially this kind of movie) In a unit play, if a hero may fail in the end, {such as Jing Ke stabs the King of Qin or the Three Hundred Heroes of Sparta} but that is in the end, if a hero fights a wicked one hundred times, loses ninety-nine times in a row, and then ends up losing for the last time. Life is lost, and this kind of stuff is unacceptable).
But it's a very loving movie, really loving. Not just love. It should be said that Robin rarely expresses his love for Marian in the play (although Marian is the doomed Robin's original match in the legend), but a little bit of tenderness in each encounter and because he has to perform a certain task of doing things for the sky can't be done. The helplessness of not being separated is touching (think about Qiong Yao's drama, you love me, I love you, you love me, I love you, watching those things), the death of Marianne at the end of the second season, and the The vision of Robin before his death at the end of the three seasons is really moving. (Actually, I think that in European and American films {whether it’s a movie or a TV series}, they often use casual sentences or two to convey touching love, see Forrest Gump’s love for Jane, and Robots. In General Mobilization {let's translate it for now}", the little robot's attempts to hold hands with the spherical robot girl again and again are short-lived but extremely touching masterpieces. Compared with Qiong Yao's drama, it is indeed a long-winded love love love, and some people don't feel it after watching it. {I am this kind of person}, some others turn their heads after crying and don’t even remember what the pig’s feet are called)
After the love is finished, let’s talk about the chivalrous and righteousness. I did the math, almost every member of Robin's members has been caught in the castle by the bad sheriff (Jr. George, William, Zach, later Kate, Horsewing, and even Robin himself), and the narrative approach is almost consistent The member was caught accidentally, and then Robin broke into the castle (or led someone into the castle) to destroy it, and then rescued the member (except for the dead XXX{ in the first season, who looks ugly, can't remember, and finally shouted The one who fought for Richard, the one who fought for Robin} and the last Gisborne and Robin himself {incredible, Gisborne's sister killed the two main characters by herself}). But after three seasons, I didn't feel any repetition or irritability, just like Nobita always ruined the future of Doraemon and let Doraemon wipe his ass, but this brand has been prosperous for more than 30 years. . The story doesn't care if the pattern repeats, the key is whether the details are different from time to time, and whether the design is compact and subtle.
Finally, let's talk about some patterns. Robin is always shouting and fighting for King Richard, and finally reached the Holy City (at the end of the second season), and the number of people is always around six or seven, and the first season is missing that XXX (mentioned above) , and then immediately added a Zack (saying this MM accent is so interesting). Marian was missing in the second season. Although she was not a member of Robin's establishment, she did not need to be filled. But when she died, Robin's lover was gone, so Kate was added in the third season to fill the lover's position. And Zach and William (anyone who has seen Robin Legends should know that William is definitely a core member of Robin, I don't know why there is less of it), which was later filled by the black Tucker and Kate in the third season (Kate It is equivalent to replacing the position of the safflower in Zach's Green Leaf and the double position of Marian Robin's Lover). Chinese audiences will always compare Robin Hood with Liangshan heroes. It seems that there should be more and more people until they raise an army and overthrow the tyranny of the XX prince, but in the eyes of the British / in the legend, Robin The Lone Ranger, or the Lone Ranger who leads an elite small army, has never thought of pulling up a team, and the area is limited to Nottingham Forest (the legend of Robin originated in Nottinghamshire, England, and now there are in Nottinghamshire. Robin's Act and other n many relics, the TV series is in line with the legend). This has to be said to be a pity, but the director's reason is also appropriate: he is waiting for the return of Richard the Lionheart. That is to say, he has always regarded himself as a servant of Richard, and has no intention of usurping power at all. He believes that his duty is to guard the land and settle the people and wait for the return of the king. (However, it is interesting that the legend of Robin appeared around 1160, and gradually became indifferent after 1247, a total of 87 years, and Richard the Lionheart died in battle in 1199, so what did Robin go for for more than 40 years after that? What about the battle? No need to pursue it, it’s all legends anyway)

The ending at the end is very embarrassing, and the legend just hangs up like this? (Maybe Armstrong doesn't want to play this show anymore. After all, it was reported at the end of the previous season that he left the crew, but I don't know why he came back in the third season. It seems that the end of the third season is really impossible.) But the last sentence: we are all Robin (WE ARE ROBIN HOOD!)! Shocking, because Robin is not a person at all, he is a narrow portrayal of England, a hero in people's dreams (like Jigong and Lei Feng in China, no one cares if they exist or not, only the spirit behind them power), he is the undead soul of England. He should be passed down from generation to generation, not with the decay of his flesh. So, we are looking forward to the fourth season (you can guess, if it is filmed again, the leader must be his half-brother)

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