left bank

Nicholas 2022-03-15 08:01:01

Alain Resnais's film is absolutely necessary to study two words. I just finished reading it and wrote it myself, but I didn’t urge you all to read it. If you feel bored after reading it, you can’t blame me, hehe.

The French New Wave was divided into two factions, the Left Bank and the Right Bank, distinguished by their literary and commercial emphasis. An advertising company I know is also divided, and it does not focus on anything. It is purely for the fun, pretending to be a literary image, a petty bourgeoisie, and it should be knocked down. It should be knocked down~~

Alan Lei is the banner of the left bank, filming "Hiroshima Love" At the time, you can see his trust and dependence on Duras, almost a literary script directly turned into a movie. However, Alain Rene's super talent in vision convinced the world that only he has the executive ability to implement Duras' imagination. "Last Year at Marienbad" is simply a guide to the taste of contemporary fine art, and the composition is so sophisticated that graphic photographers and painters come back to learn.

The film is also epic, with Alain Resnais once again demonstrating his inexhaustible creativity in cinematic language. This film is 80 years old, and in 1983, we can see that there are two excellent movies that are borrowing from him, or I have to say that they are borrowing from him (because those two are also my favorites, just written before) :P One is Woody Allen's "Celestial Legend", which uses a lot of pictures to tell stories, which Alain Resnais used in the first 15 minutes of the film. One is Imamura Shohei's "Narayama Festival Kao", which uses the behavior of animals in nature to endorse human activities. The same technique is widely used in this film by Alain Resnais, which has become the most critical factor in the structure. He even hired a French behavioral professors to present this knowledge. In terms of pictures, it is simple and down-to-earth, and the focus of skills is on editing complex character relationships. The film was nominated for both Oscar and Caesar that year, and was most affirmed at Cannes, winning the Grand Jury Prize.

The actors included Depardieu, who was still very young at the time, and his acting skills were already impressive. As for the name "American Uncle", it should be a French folk saying, I am not particularly sure, he seems to be a symbol of "trying to change the mood of life", as if every French has an uncle in the United States, some Some do well, some do not, he is just an example, when you want to change, some family members will jump out and say how your "uncle" in the United States is actually doing, in order to educate you The purpose...that's probably what it means.

Three people from different backgrounds meet in fate, they can fall in love, or they can just pass by each other...

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Extended Reading
  • Lorenz 2022-03-25 09:01:23

    Still not tuned. Not the highest level of Tati

  • Alexander 2022-03-19 09:01:10

    Tati's absent-mindedness is truly mesmerizing. It produced a silent film temperament, and the details were very carefully arranged. At the same time, Tati expresses the opposition between tradition and modernity with great precision, that ridiculous and terrible modernist house, the traditional community that was being demolished when his uncle left. Tati, like Keaton, uses machines to create jokes. But the strange thing is that I prefer the novel based on this film, the emotional expression in it is more in place

Mon Oncle quotes

  • Charles Arpel: We could go to the Sexy Club.

    Madame Arpel: I prefer Constantino and his nice music.