The 13th #法罗岛电影节# The first screening day of the unknowing section brings you "Crossing Darjeeling", and here is the evaluation of the frontline brothers and sisters wandering in foreign land!
Personally think it is the most pretentious one of Wes Anderson.
Sporadic and unnamed:
Why not put it on your computer desktop as a live wallpaper, that's all.
Zzy Granite:
A relaxing and warm journey, mixed with Wes Anderson's unique aesthetics and cold humor, this movie is weird and cute.
The Northwest is gone:
"Exquisite vase". The advantages are all in the personality, and it is still the usual Wei-style style, and the degree of curiosity for exotic cultures is about to catch up with Xu Zheng and Chen Sicheng.
Ye Fan:
I saw many of Xu Zheng's jokes here, and they are not as good as this one, and it is still one of the more mediocre ones in the series of Wes Anderson's works.
Sparrow:
The highly saturated colors are unique in Indian flavor, a journey of searching and returning in collision. However, the personal humor separates the public, making the story seem dull, deliberate, and monotonous.
Polaris.J:
Still very Wes Anderson style, the color scheme, composition, setting, vision and his cold humor are highly stylized, and the camera movement is exquisite. I really like the last section where all the scenes are shown on the train. It feels like this series of Tai囧Hong Kong囧 has imitated this one.
Supremacyacron:
It feels like a very stylized version of the Rain Man by Wes Anderson. The background of the story and the relationship between the settings are similar. They are all stories of brothers looking for the loss of brotherhood. As for the black humor that Wes Anderson is good at Part, the part embodied in this film is not too much, resulting in this film being slightly mediocre compared with other works.
No one at midnight:
The display of the exotic is very embarrassing, the superiority of 1.0 + curious monkey tricks. The entertainment effect is so-so, and the use of color in the Weiss style of aesthetics is quite suitable for the presentation of Indian style, but the cold and humorous part is only to the end. Those little tricks and quirks that belong to him have not been really in this film. Developed. The emotional reconciliation of the three brothers is of course smooth and even delicate in the drama, but I increasingly dislike this way of using the road to change something or bring about something. The four words "solve it easily" are true. It's too difficult, I can't even have the confidence for a short while watching the dreams in the movie.
Snow-Nashville:
The fifth feature film directed by Wes Anderson, it has a cheerful and ironic sense of humor, impeccable emotional music, and extraordinary art direction. In other words, a Wes Anderson-style movie. Anderson maintains a pleasing consistency in sound, visual and dramatic plot. Anderson has special skills in describing complex characters and advancing the development of the storyline. He meticulously puts the origins of the characters throughout the script. As the story progresses, he paints a portrait of the central character that gradually becomes brighter and fuller. Although the plot of this movie feels a bit procrastinated, in general it will not disappoint. Those who are willing to appreciate this movie will enjoy the wisdom and touching spiritual contemplation of family and life.
#FIFF13#DAY1's unknowing site rating will be released for everyone later, please wait and see.
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