The other is Stephen Chow's "Kung Fu".
This film is not only good-looking, but also the most embossed in the presentation of Kung Fu and the "Kung Fu language".
People of our generation who watch martial arts have acquiesced in some basic martial arts formulas.
For example, kung fu is divided into styles. Hard and soft, fast and slow, fiery and ferocious, and light and agile.
For example, different personalities correspond to different kung fu. For example, Hong Qigong is upright and upright, so he should use the 18 Dragon Subduing Palms that open and close. Huang Yaoshi is unrestrained and unrestrained, so he should use the colorful and light Luoying Divine Sword Palm. Linghu Chong is unrestrained, so he should use the Dugu Nine Swords. Mr. Mo Da is hidden in the city, and his personality is difficult to write.
For example, the pattern of kung fu is also character. Kung fu masters all pay attention to realm.
These, in "Fighting Heroes", are perfectly reflected.
Huo Tingen represents traditional Chinese Kung Fu, with skills and flexibility, but the actual strategy is not very good.
Chen Zhen represents the combination of Chinese and Western Kung Fu, rapid, flexible and explosive.
Akutagawa Ryuichi represents traditional Japanese Kung Fu, Karate.
Fumio Funakoshi represents the pinnacle of Japanese martial arts. Solid and powerful, outstanding in actual combat.
Fujita Takeshi represents the pinnacle of actual combat.
When they fight, you can see the difference in style and their own temperament, and it is enough.
Chen Zhen defeated Huo Tingen with a combination of Chinese and Western styles, and then the dialogue with Fumio Funakoshi was a dialogue between different ideological systems of Kung Fu.
"To knock down the opponent, the best way is to use a pistol. The purpose of martial arts is to raise your physical fitness to the limit. To achieve this level, you must understand all living beings in the world."
These are actually "Grandmaster"-level topics.
Stephen Chow's "Kung Fu" uses a lot of gorgeous displays and stunts to restore the look of Kung Fu in our childhood concept, and to collide it is freehand.
"A Generation of Grandmasters" describes their realm and the rivers and lakes of Kung Fu masters, which is realistic.
The feelings of "Heroes of Jingwu" may not be as deep as the previous two films, but in the design of the fighting drama, it really fully reflects the above-mentioned "Kung Fu personality" and "Kung Fu language". The combination of solidity and splendor of reasoning in fighting drama is unique.
Personally think the most interesting passage:
Chen Zhen: Mr. Funakoshi's martial arts is the first, it means that his martial arts cultivation is not his murder trick.
Funakoshi (shaking his head and smiling, muttering to the air): Huo Yuanjia, I lost. I didn't expect you to have such a good apprentice.
Fighting and fighting the body is unparalleled in the world, and fighting in the air is also a long-lasting charm.
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