Coincidentally, I've watched the anime. In the summer of two years ago, the attacking giant was not too hot. At that time, the propaganda slogan of any event was "attack xx". Then a few months ago, the animation was banned by the General Administration for some reason, and the live-action version could not escape. As a result, the curiosity of a Chinese audience was suspended in this way. However, watching this movie really makes the original party feel no sense of superiority at all, and its magical plot direction can't be guessed by anyone who has watched the anime.
First of all, the male protagonist Allen has become a pretending to be a young middle-2 literary and artistic youth who likes to look up at the sky at a 45-degree angle. His childhood sweetheart not only lost his fighting power in the early stage, but also dressed in a white lotus flower. Sure enough, he had a heart of the Virgin who didn't even want to save his child's life. What Allen's parents, Mikasa's life experience, all of them have been deleted, and replaced by the male protagonist who mistakenly thought that his girlfriend was eaten by a giant, and has since joined the army. In the anime, there is still someone to come to the rescue, but in the movie, Alan, who was desperately trying to squeeze out of the hiding house, saw that all the people hiding in it died within a second. Not to mention that the ruined city wall will never be smashed by stones from a close distance, the protagonist's halo is kneeling.
Of course, this isn't the best part of the movie. The epic love drama that followed was the biggest highlight of the film. I saw that Allen, who had been shown affection by the undead original partner and her current cool and handsome boyfriend, ran out with Ma Jingtao's upper body roaring while clutching his painful little head. Then, a girl showed up to deliver a consolation cannon, took him to watch a pair of lovers who could fight freely in the ruins and dust, and said, "Would you like to be my daughter's father?" Table of lines. Then I grabbed my chest, and the camera switched to the back of the girl's lower body. Oh my god, what position is this? Sure enough, even the giant couldn't stand it anymore, and swallowed the girl in one bite. This is really a painful lesson, it tells us: if you are not a heroine, don't stay by the side of the hero.
There are cannibals, fights, and love triangles. In order to get together the standard for a top-level visual effect blockbuster, the director must have thought this way: It's time to blow up and show the sincerity and financial resources of the crew. So, the runaway female soldier who lost her husband became Japan's Dong Cunrui, driving a car of explosives to die with the giant. It has to be said that the IQ of women in love is often negative. I didn't expect to see a martyr who is so close to the image of our country's hero in a Japanese movie. Screenwriter, have you secretly watched several episodes of our country's anti-Japanese drama?
Last year I saw a movie called "Five Minutes Before Midnight". Up to now, I still have lingering fears over the performance of Liu Shishi, the first sister of the paralyzed world. Then, the male protagonist of that movie is Miura Haruma. I don't know if I was stimulated by the first sister, so the little brother "Ma Bihuai" (as the fans call it) stared, grinned, shouted, and tried his best to exaggerate, which made me embarrassed for a while. I only care: little brother, you have such long bangs, so you are worried that you will block your sight when killing giants.
The last part of becoming a giant should be said to be relatively restored, so I will add one star for this. However, the scenes of grabbing the chest and fighting in front of the giant left a shadow in my heart, no less than the crotch hidden mine in "Fight the Devils Together". Since the movie is divided into two parts, there is really a sense of seeing a movie as a TV series. It seems that the Anti-Japanese War drama is really not a special product of our country.
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