"The Sword of Death": The country is sad, you should be free

Brendon 2022-03-13 08:01:01



In troubled times, life is but a drop in the ocean, half the city is full of spring water and one city is full of flowers.
When Zhuang Sheng encountered this, he should also sigh, and when he felt it, his thoughts became knotted, and he sat upright like a monk's house.
As the concubine of the feudal lord, Mrs. Ashi witnessed the lord playing with his lover and advocating the sensuality and gift of the peacock screen, the fog was half-baked - if the golden house kept Gillian in storage, she drank the vinegar gourd for the monarch - with bitter contempt Dragging the canary's hair and slapping him in contempt of the Lord's dignity.
As a result of her dismissal and relegation, Mrs. Aichi was forced to make a promise to Yugoro, the son of the samurai Isaburo Sasahara, a family of samurai who had become a domineering matriarch through her father's enrolment. Guess what, Ashi was only full of resentment and bitterness, but there was no arrogant and disqualified unruly resentment.
The candles flicker, and the wind blows the plantains. Zhenmin. Yugoro's cherishing led to Aichi's shame and anger, more than warm feelings. They gave birth to a daughter, Xiao Fu, but at this time, because of Ashi's son's heir status, Ashi was recalled by the feudal lord.
Yugoro's mother is only out of stubbornness and flattery, while Isaburo and Yugoro, who are stunned, ignore this sternness and collectivism. . In the early years, Ai Ai was a little embarrassed to face his mother's domineering Yugoro, and he also had a new promise and orientation after becoming the head of the Sasahara family.
A person's life belongs only to himself, not to a certain style, some autocratic allegory, or even to a single specific standpoint and culture, much less to the interests of others and to pure awe-inspiring incentives.
When the wet nurse was breastfeeding Lin'er in her arms, Yu Wulang jokingly and sarcastically cried and said, "Xiao Fu, you are so stupid, you are not drinking the milk of your biological mother. Yogoro's mother, who is a metaphor for arrogance and oriental moralism, is the true spiritual aspect of his heart? In essence, it has nothing to do with this wrinkled and ruthless woman who protects the interests of the small group all her life. The struggle between the supremacy of cynicism and the supremacy of morality and the freedom of human nature begins.
When the orderer gave the order to cut the belly, Isaburo agreed, but he wanted the head of the lord before the belly cut. He felt that, before he made this statement, he had never lived like a real person in his life.
Resentment and rage swept into the sky, and the humanistic vision was washed away by the narrowness of the Buddha. With A Shining's unyielding suicide, He and Goro were not spared, they were dependent on each other and separated from the world, drifting deep eyes under the smudge of the sun, shadows and shadows, deep eyes like the gentle sea, the dream of hell with poly.
After Isaburo buried Yogoro and Aichi, he took Xiaofu and ran away. The battle with the gatekeeper Asano is imminent.
The enemy advances, I retreat. Go in, go back. The philosophical trees have grown tall. In the end, Asano was killed by Isaburo's deadly sword. And when Isaburo was dying of being shot and fell to the ground, before going to the gate of hell to take on the value of the soul, he told Xiao Fu to be a strong and brave woman like her mother, and to marry a man who was as vigilant as her father. .
Clear dew hesitant, unparalleled character. The country is miserable, you should be free. The main thing is the dignity of the family and the joy of the present, while the men and women who are reluctant to live together want to stay together for a long time, cleanse the soul, and go beyond the twilight drum and the morning bell. The clash of contradictions ignited anger, and all of a sudden, the sword energy glared and flew into the cold. Faithful to one's own mind, transcending the resentment and detachment around him, and sending the blood of emotion and heart to the boundless snowy area, becoming an isolated book that retains the heart and soul of history.

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Extended Reading
  • Patsy 2022-03-25 09:01:23

    Kobayashi Masaki's interpretation of oriental aesthetics is perfect. The composition of the picture is even more invincible ~ coupled with the music of Toru Takemitsu. 8. Mao Zhongdai Tatsuya is an octopus head again... It's ugly and dead... And when he meets Mifune, he will die under his knife... But what he remembers for a long time is the scene where he and Mifune fed Fuzi Drama ~ Why is there no director and actor who excite Mao so much now?

  • Mittie 2022-03-17 09:01:10

    The theme of samurai movies, rebellion may not be more popular than promotion, otherwise there would be no greatness of the Seven Samurai. Compared with the traditional stories of loyal ministers, Kobayashi's two samurai rebellions are better. Although they also revolve around the law of the law or the tenets of Bushido, their narrative conflicts focus on the universal good that overseas audiences can understand and empathize with. Evil and ethics, unlike the kind of loyal minister Zang, even whether Kira draws a sword or not can become the focus of controversy. Comparing the two, although the sword of death is not as famous as the cut abdomen, Sasahara Isaburo feels more authentic and credible than Tsuyun Hanshiro, because the story of the feudal lord's forced marriage & forced separation provided him with a reasonable gradual external condition from forbearance to explosion. “The moment he showed his support for Ashi, he left the trail, his clogs leaving a trail of footprints in the carefully raked sand. He broke the rules, refusing to stay on the line. Wherever he was, he only wanted, not Bird lord." On the other hand, Jin Yun can do nothing on the line of his daughter vomiting blood and grandson's high fever, and leave everything to the weak son-in-law to solve it himself? It is more like a deliberate temporary functional invisibility to accommodate the narrative contrast.

Samurai Rebellion quotes

  • Isaburo Sasahara: Each must live his own life.

  • Isaburo Sasahara: Seppuku? Ho ho!