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Telly 2021-11-25 08:01:27

[Queen-lonely giant baby Anne]

As the last queen of the Stuart dynasty, Anne's boldness, wisdom and beauty are beyond doubt. But the film portrays her as a lonely giant baby who is morbidly weak and deceived by female officials. The pain of losing a child is an irreparable pain in her heart. It is the irreparable emptiness and loneliness of love. Whether it is the equivalent replacement of 17 white rabbits or the sudden emotional breakdown in the face of the Lawn Orchestra, it is the cause of her loss. Externalized manifestations of pain. She is keen on eating sweets and vomiting to relieve her inner pain; she uses the ambitious but politicalless Abigail to restrict Sarah’s political ambitions, which is clever. On the surface, it is an emotional shift that loves the new and dislikes the old, but in fact it is not obvious. Change in political orientation. Having been immersed in power for many years, she knows too well how to move freely, she is an irreplaceable queen, and her darling changes with time.

【The Powerful-Sarah, the lonely nobleman】

Poisonous tongue, indifferent, elegant. She is the best spokesperson of the nobility, her open-mindedness, she doesn't care about looks, she is always worried about the fate of the British Empire. Her unconditional trust in the queen, she thought that the total emotion did not need to be maintained by the vicious dealings and the praise of the sword. But the queen is not as wise as she used to be. She needs a new sweet darling of honey, not the upright Scarface. But I love her the most, the eighth chapter subtitle, I want to blind your eyes in a dream. The arrogant and intelligent power master is overthrown by the ambitious masked witch. Her softness as a woman was placed under a steel helmet, wasted in the struggle for power with men, and was finally framed and abandoned, but she still restrained and indifferently maintained the dignity of the nobility. Her failure was actually based on the fact that she violated the laws and trends of historical development.

The emotion of love and hatred made even a humble superior like Abigail moved. The spiritual victory of the aristocracy surpassed the exploitation of rights and interest entanglement, but the pure emotion was higher than the selfish and indifferent Abigail, who only pursued the supreme interests.

[Superior-Abigail the Masked Witch]

At the age of 15, he was sold by his father to the poor German perverted businessman with a small sexual organ. After bearing the humiliation for many years, it was important to get the opportunity to seek refuge in the powerful cousin of the maid Sarah. Give the queen herbal medicine to get a chance to be appointed; show her identity skillfully when encountering the queen; serve the queen and her pets in good fashion; watch the relationship between the queen and her cousin and find a way to get into bed; bitterly plan to kill people with the knife; win over the queen, strengthen power, and harm her cousin She took the opportunity to form an alliance with her cousin and the leader of the hostile party leader to form an alliance... She is an ambitious masked witch who has only desires and no love, but when she becomes a new generation darling, her expression is lost. As she said: "I found that life is a maze. I thought I had found an exit, but in fact it was a blind spot." At this moment, the peak of power is like her, so it is the state of mind.

[Rabbit and crutches]

This was the first dispute between Sarah and Anne. Leng Ruiru, as Sarah refused to say hello to the queen’s pet rabbit. This seems to be a small dispute, but it leads to different judgments on the fundamental values ​​of “love”. This is why the queen abandoned Sarah emotionally and chose in the end. Abigail.

At the same time, the 17 rabbits shown in the film clearly represent the 17 children that Anne has died. Sarah has followed Anne for decades, born to death, and knows her sex well. It is impossible not to know what rabbit means to Anne. At this time, she devoted herself to national politics, not wanting to play with things, and at the same time lost the emotion that resonated with Anne in a soft heart. Basically, this also gave the latecomer Abigail a chance. The change in Anne's attitude towards Abigail all comes from the sharp contrast between Abigail's attitude towards rabbits and Sarah.

Abigail is stupid, and her inferiority and ugly appearance of her desire to be among the nobles are exposed at the end of the film. When she turned her back to the queen, she stomped the rabbit under her feet severely, and the rabbit even groaned in pain. Her cruelty and indifference were evident at this time.

She thought she had controlled the sick queen, but in fact she was just the queen's crutch. In the last segment of the film, the queen still asked her to help her vent her desires, and because she didn't focus on her head, she pressed her head, which is tantamount to a kind of painful revenge. Sarah is gone, her hypocritical love has also come to an end, the queen is aware of it, but not stern. Anne doesn't want to lose more love, but she also has to deter Abigail, whose ambition is swollen-you are just my masturbation stick and a cane. At this time, I just need you physically, and I know your weight well. , Don't be too presumptuous.

[Limits of Love]

Sarah believes that any love has a limit, while Queen Anne believes that love is inclusive and above all else. At the end of the film, the two confided their understanding of love, and the direction is also an extension and determination of the small dispute of opening the film. At this time, the lonely giant baby Anne needs a mother's gentle care, even if the soft and flattery is a hypocritical mask, she will feel that it can temporarily calm her inner pain; and Sarah is like the strong authority of the scared man's father. In particular, if you want to solve the crisis you are facing through threats such as publishing letters, Anne's authority and status will be threatened and provoked, and the rebellious psychology of the sickly high-ranking person will be produced.

Sarah's love is pure, direct, sincere, greeted without lies and hypocrisy. For her, Anne is not a queen but a lover. She believes that true lovers do not need to be deceived and flattered, and because Anne has been ill all the time in power, she has gradually ignored Anne’s status as a queen, or she believes that no one or anything can provoke them. The unbreakable relationship between. It is her arrogance and self-confidence that have ruined her for many years as a nobleman and a powerful man. The appearance of Abigail not only stimulated the queen's sexual desire, but also stimulated her desire for power.

[Hunting & Shooting]

The externalized manifestation of the struggle between two women. Abgail's cleverness and ambition are so obvious in this externalized competition. From a missed shot at the beginning to a shooting shot later, the bright red blood splashing on Sarah's face was also a naked provocation by Abgail. Her overly expansive desires and overly exposed ambitions should have been seen through by Queen Anne at a glance, but at this time they became weak Anne's counterweight to Sarah.

Is this Vichy a bit like Eva Green?

[The woods lure love]

In a scene where Sister Stone performs orgasm, no sex is better than sex. Temptation, slap, trying to catch, laugh and curse hidden behind a glamorous leather bag, the scale is appropriate. When they were pushed down, both of them were extremely frank, doing the most affectionate things and saying the most ruthless things-lust making trouble. Shirking, rolling, and pulling are just like beasts trying to swallow each other, and like lovers who want to melt into the bones and blood.

When Joe Alvin crawled under the hem of her skirt, she was the queen. But nothing more.

【tone】

Dense makeup, black and white clothing, with the shadow of court clothing from the predecessor of the Industrial Revolution. The deliberate and exaggerated black-and-white opposition between the Tory Party and the Whig Party-the confrontation between the English black scroll and the French white scroll, the confrontation between the vulgarity of the times and the elegance and nobility of the rebellious era is so challenging and Dramatic, all played to the extreme in this black and white.

[AR texture of fisheye lens]

The external form of the film actually embodies the internal essence. The magnified fisheye lens at the edge is like this palace with ever-expanding desires and ambitions. The director tried to play down the palace's supposedly complicated internal entanglements-the religious dispute between the Anglican Church and the Roman Church; the complexity of the party leader's contention has also been weakened, and the overall focus is on the expression of artistic style and the relationship between the three women.

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Extended Reading

The Favourite quotes

  • Lady Sarah: There are limits to what one can give.

  • [last lines]

    Abigail: You should lie down.

    Queen Anne: You shall speak when asked to! I feel dizzy, I need to hold on to something.

    [she grabs Abigail's hair]