Halfway through the first episode, I couldn't help roaring: It's so good to cry! It is a good way to relieve fatigue at home, refresh the brain and relieve stress. The straight-line confrontation between strong women and Maimang is much more advanced and enjoyable than the Tai Chi-style teasing of modern actresses. Hao Tan is nothing more than life is like a play, but their lives are clearly better than the play (Gou) Cai (Xie).
You can totally think of this pair of "Sisters Catching Horses" as God's idea. Betty and Joan in reality perfectly illustrate the love and killing of genius and talent. Betty, born in a scholarly family, received higher education in drama since childhood. Although she is a little inferior in appearance, she is arrogant and has high acting skills and comprehension. Joan, who was born in a poor family but is unpretentious, has a great emotional intelligence, but she also acted aggressively by the servants along the way. Because she picked up Betty's leak, she was added as an Oscar actress.
Jealous and aggressive Asura, when they meet each other, it is like fire meets oil. On the surface, they pretend to be peaceful, but in fact every laughing muscle is pulling a bow and secretly releasing a cold arrow. Stealing scenes, men, resources, awards... and even sacrificing the career and marriage in order to destroy the other party. This kind of highest state of tearing life torn makes people want to exchange gimmicks for tribute.
A legend is a legend, pompous and decadent in a way that exhausts the imagination. Decades of constant, unending hatred, stronger than any of their loves. Even if "The Enemy" only captured the last twilight years of their lives, the stage of "Breaking the Ice" working together to film the movie "The Surprise of Langui" is already wonderful.
On the set, Joan must bring Pepsi on the set, but Betty, not to be outdone, dragged the Coca-Cola cabinet to the market; Joan was still complacent, Betty appeared on the stage with a white face like the Lonely Scorpion, without saying a word, she stole it under her nose. Come here; when you carry me, I will tie an iron block to your waist, making you suffer, and when I hit you, I will kick you to death and make you suffer retribution. The group photo before the start, the reporters were eager to see who could grab the left seat of Dominant Toutiao. Betty took the seat first, thinking that she could sit back and relax. Who would have guessed that Qiongmo would be taller and stand on the left side with her shoulders on her shoulders. Xi - the real story is simply better than the screenwriter's pen.
Excessive anger activates every cell, allowing them to fight, and the fight becomes even more hysterical. The devil lurking in their hearts is even more famous in history than the little golden man. Dou Endure Humiliation Dou Bei Hei Dou Insidious Dou Dou Dou Dou has a long life. The more fierce they fight, the more they can reflect the glory of the prosperous world - you see, in the golden age, even the spittle stars are dyed with gold.
The more I looked, the more I felt that this relationship was necessary. It is often not a mentor, brother or girlfriend, but an old enemy who spurs you to progress, encourages you to be ruthless with yourself, and keeps you sharp and alert at all times. Only the enemy will always delve into all your secrets and details with all your heart and soul. Jairus must repay comes from the deep mutual sympathy, the old enemy's long-term fate is also the fate of fate.
Going deeper, it's sad. Don't you know the rush and absurdity of fighting, but this is their way of survival. Every era has a group of enviable, deplorable and deplorable stars, who are the darlings of God and the bane of the world. They were born for Vanity Fair, but Vanity Fair is also like a golden cage. People feed and feed them with money, power, honor, and worship. Desire, so that they are fed and eaten at the same time.
Adjani, the dream lover of countless men, said: "A star is just a dead celestial body that only shines in people's imaginations." This imagination includes crowding, pampering, misunderstanding and manipulation. To bear these is an obligation and destiny. In the title, the silhouette animations of Joan and Betty are smashing, but they are both controlled by a thread above, just hanging silk puppets.
There are some warm moments in the play, Joan and Betty rarely stop to talk to each other, and repeatedly come to the brink of reconciliation, but "reinstated" - no, this is not their script. As Betty told: "You are like vultures, circling the carrion of scandal, and it is you who fuel malice and hatred and start wars."
Looking in the mirror (mirror), they are real soul companions. Looking at each other through a mirror (camera), they had to make a show for the world to see. It is gradually becoming unclear who is in the play and who is watching the play.
The old grudge has nothing to do with hatred, the old grudge stems from pain. In the part about "mother", we see that the identity of "actors" is used as the dividing line. They are each burdened with innate shackles and shadows, and are surrounded by acquired manic depression and insecurity. Divided into paranoia and persecutory paranoia, while selling their private life for glory and favor, they surrender to the higher end of the food chain. I can't keep the moment of youth, and all I can count are rose bubbles.
Now, the two people have died, but their old feud cannot be settled, and they were dug up by the "profiteers" of FX to add annotations and lace to the legend of Hollywood. Because of this drama, I re-watched "The Shocking Change of the Blue Girl", and I admit that it is not a good movie, but art is sometimes not a righteous word, and it can only be achieved because of its magical nature.
After all, the momentum of the myth is nothing but old-fashioned gossip.
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