movie has more monologues than dialogues.
This is the "me" part -
I'm speaking. I am talking to myself. I am talking to you. I talk to them too. But more than that, I am talking.
Just talking like this, there are bound to be some incomprehensible words. I don't know where the words started, go deeper and deeper, and stop here.
I am talking. Either you're not interested, or you don't like being forced to listen to what people have to say.
But I am talking. I've been saying it, and I'm going to say it. You're going to see a movie. You can listen, or not, or sleep. I don't know what you think. do you want to talk to me? But you can't. And I go on and on. You don't know what I'm going to say next. I don't know when I'll shut up. But I didn't shut up because you told me to shut up. I shut up because I don't want to talk. It's not fair, is it? You're going to see a movie. feel it? It's a power game.
Films are all wide lenses.
It's the "me and your part" -- it's
actually the "me" part.
I'm deformed, transformed, and I'm lunging at you in his wide shot, clawing at your face. Are you disgusted, or moved? So distorted and close, is it more real, or more absurd? You're going to see a movie. feel it? You can react, go to sleep or quit, and tell everyone I suck. I just got screened out. I don't move. I have already done it. Details of
their love .
Unconscious and meaningless body language is universal love.
Their performance
"in the face" is more important than the "face".
Fassbender is a melancholy, unwilling, genius bastard who tries endlessly to get the freshness of life. It was in his face all the time.
Gosling is a cowardly tender lover. It was also in his face.
Rooney Mara represents the embodiment of unconscious beauty, the initial self-awakening of this beauty. It's in her face.
Natalie Portman has a strong sense of MILF after giving birth. A traumatized mysterious woman. She is like this now.
Rooney Mara's character in the movie said this sentence: Any experience is better than no experience. The experience here is very proactive - before "want" and "don't", she always chooses "want", and Not because of "good" or "bad."
The protagonists of the movie all have the urge to seek death - to have a love triangle, to be promiscuous, after all, "what else?" After thinking about it, they all have the will to survive, and they don't think "this is the only way." In the second half, it felt like he was trying too hard to put everything under one category and started talking about "forgiveness". Extremely disappointed. I don't think he needs to do that at all. Maybe he thought it was necessary.
Very, very grateful that he could show me something. Such as the flight of flocks of birds, the water waves under the bridge, the underwater whirlpool. Those pictures are the same as those taken by mobile phones, and the light perception and color are not good. But I didn't know what they were like. So beautiful. And I want to know what they look like. It doesn't look like a filter. ("The Tree of Life" is too visually exquisite and good-looking) and people. Actors as people. people's connections. Unstoppable addiction and resistance. They are so rushed...and elegant.
I especially like this movie.
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