The film critics who say that this film is fulfilled or embodies the unhappy retribution are shit. This film is only for every man who embraces fierce pride and dreams of the underworld. The desire and imagination of the Zhonghaoqing brothers fall into the illusion of judicial and moral masturbation, sodomy. The young man just made the more cruel evil deeds done by the other two and the whole underworld related to Hell's Kitchen appear less abominable.
After overthrowing the hot dog hawker’s dining car, the director inserted a confession that resembled a confession, but this confession is not reflected in the subsequent films. Such an ironic arrangement makes us think that in the movie "The Weight of Life (21) In "Ke)", Pantheon said: "People will never change." It is true that the four of them ended up together, or that time in the juvenile nursing home was a big gap and a turning point in their lives, but why two of them became gangsters on the streets of New York, and the other two have enviable Full-time. Qiefu and the others have had too many opportunities to be good, and everyone around them also has those obligations and abilities to drive them to be good. However, they did not. The adults--especially the pastors--indulge, ignore and even do evil together. Laissez-faire is also laissez-faire from the end. At the end, the pastor definitely helped them escape once and for all. Therefore, the many subsequent killings were not entirely blamed on the sodomy of the auxiliary education institute, but everyone in the regional kitchen pushed it. We inevitably and boldly assumed that it was the time of the auxiliary education institute that caused the other two People really grow up and truly experience what Hiroshi Abe constantly emphasized in the "Tokyo University Special Training Class" {knowing the cruelty of the world, being responsible for one's own life} this young man has grown into an adult's ideological foundation. But this is very rough, but in any case the two became the butchers of New York, by no means did they make it in that year and a half.
There is no emotion of "Once Upon a Time in America", no struggle of "The Godfather", no suspense of "Throughout Point", and even no action scenes that can match "Sin City". As a feature film, he is incomplete But it is undoubtedly successful as a cool film. It not only completes the straight men’s desire for violence-but also violence against the genitals of the opponent (but this is only a ridiculous revenge after masculinity is damaged), and it satisfies the righteous brothers. Desire reflects Xiaomin's contempt for justice. The Shuang film is cool, but the film is untrue and unreasonable. The mood and choices of all characters are shallow, simple and flat, and even the characters have no growth. What's more, the audience? After all, we can't let this film take us beyond, nor can we penetrate through it.
#豪情四兄弟
View more about Sleepers reviews