The peculiar slowness and delicacy of French films are not only suitable for romantic films, but also can make the theme of prison break exciting. In a closed and narrow space, it reflects broad human nature, good and evil, reality and hope. The director meticulously carves out every detail of the escape, uses a lot of realistic footage, and even spends nearly half an hour to describe knocking stones and digging holes, making people immersive. The ending was unexpected and reasonable. With a sigh of sorrow, the film ended, and the trial of human nature was handed over to the audience.
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