Storytellers and Storytellers

Holden 2022-04-01 09:01:19

I watched a movie with my friends last night, telling a story about a dying profession, a columnist editor who investigates a murder case. The protagonist, Potter, takes the initiative to participate in an event whose ending remains unsolved as a party. The empathy and emotional use of her, he opened up the secrets of the female suspect layer by layer, after watching all the deceased - the fragmented memory videos left by the female suspect's ex-husband during her lifetime. I told my mother that the author is a self-proclaimed person who is not easy to bear. Because of the nature of this identity, there is the side of adventure and knowledge, and the side of loneliness. He does not agree with any group in the world. When he gets the story, There is a risk of risking a life-exchange. He is not the deceived person in the scam. Even if he is deceived, it is his nature. The deception leads him to the truth, the deeper tragedy of Bill's intrigue. He sorts out the sequence of events when everything seems absurd and disorderly on the surface. He dared to ask questions about the hastily buried, corpse-spotted past, and he dared to remove the shroud of the afterimage.
Living in a narrow alley, like a poetic habitation, Porter thought he was keeping his family outside of his career and danger. There is a relationship with so many desolations of the world that are covered up by the exuberant spirit of the times. In this mysterious incident of the tragic death of a well-known director, Potter has become a pawn under his neglected vision. He has repeatedly Choose to get caught up in sex, get caught up in that close to the core of the absurd. What he didn't expect was that the woman he thought was clinging to his rational rescue hand, Caroline, was a player beyond the weak and beyond the facts of the victim. In the pursuit of people's motives, innocence is a deceptive perspective, and Porter, as a man, a man with children, resolutely chooses to indulge in the innocent tenderness of women. The ensuing awakening is the castration of males, reproductive incompetence, absurd voyeurism, pedophilia, these are the bloody facts that he faces every day as a man. He wanted to indulge a little more and stop by the naked Caroline for a while, but the perspective of a man imposed on him by the world, a more thorough speculation on the nature of men, these qualities imposed by others, let him be taken advantage of Become a hound and be treated as a detective who smells corpses and rots.
My friends and I are curious why the final reveal of the story - Caroline is the only suspect involved in all the facts, has obtained cowardly security, but seduces Potter to open up about her obsessive past. Obviously, I'm guessing that Caroline has an exhibitionist tendency. During her childhood when she was raped by her stepfather, her body was no longer a personal privacy. She was free to use her body in exchange for what she wanted or didn't want. The play on the shadows of childhood goes beyond the point of view of a weak and passive person. She goes around selling her painful experiences in exchange for the sympathy of powerful men, while looking for the abuser to control her exhibitionism - her ex-husband Simon has become the perfect candidate, and she is willing to be an experimenter, using a director Fantasy of stories and flesh. As she wanders among multiple men, she subtly hides key information, leaving behind a place of sexy fragments - fragmented childhood shadows, her ex-husband's fragmented daily scene shooting, Fu Heng and her sexuality , gave Potter a clue, but grasped Potter's obsession with the story, and made him her hidden inner companion and the third party of the continuous marriage. A mysterious woman, a story of attracting most suitors, a story of an innocent man in fascination, a story of chasing stories.

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Extended Reading
  • Reagan 2022-04-01 08:01:02

    AB continues to fllop to shit pit, Yvonne Strahovski has benefits

  • Domenica 2022-04-01 08:01:02

    A man can save a lot of trouble by keeping his lower body in check.

Manhattan Night quotes

  • [last lines]

    Porter Wren: As the old reporter told me on my first day, "It's all one story, kid. It's all one big story."

  • Porter Wren: Look, I better tell you I have an agenda here.

    Caroline Crowley: I have an agenda, too. Maybe we can save 'em both for later.

    Porter Wren: God, I'm so going to hell.