When the movie projector lights up the big screen or the movie plays on the computer screen, at the same time, another "movie" is quietly staged on the audience's spiritual stage. Different from the essence that "the creator's creation has stopped" when the film is released, the structure and plot of the film within the mind are constantly modified, and the creator is the viewer himself. The process of the viewer watching the film is the process in which the viewer's feelings, emotions and emotions move along with the picture or music. This process begins with visual or auditory intake, which stimulates the viewer's emotions according to its intensity and activity. The mind, the process of comparison is natural and primitive, and people do not have special impressions or ideas about immutable objects. Whether they like or dislike it, it comes from the nature of these objects and the subject in which they reside. Comparing the results, the difference causes the deepening of the impression and the formation and natural transition of the idea. For the relatively strong or active emotions generated after comparison, other similar emotions and emotions are linked, such as joy, sadness, depression, sympathy, etc. The emotional structure itself is exclusive, it aggregates similar emotions and ignores or excludes differences Yes, this process is not completed in one step, because the perceptual system accumulated by the viewer's experience is cyclically screening, combining or separating impressions and concepts. For example, in the film, lawyer Laura's client took a security hostage. At the request of the police, she went in and communicated with her client. When her client asked her to pretend that he was holding a gun behind him, he wanted to escape through the back door. When he put the gun on the wall, and Laura kept his eyes on the gun, the audience who watched multi-genre films would involuntarily think that Laura would suddenly pick up the gun and turn against customers. When Laura did not do so When doing this, the viewer promptly corrects his cognition and predicts her next move. The viewer will not only stop at the protagonist's words, deeds and emotions, but any character's words and deeds that arouse their emotions. It performs the actions of the perceptual system. For example, the viewer will make an inner judgment on the client's reaction and answer to the lawyer Laura's words. If it conforms to its expectations, it will make it satisfied or even happy. Even if it does not conform, if it causes some kind of surprise. The effect will also make the viewers feel a kind of joy similar to the feeling of joy and generate a new identity. This transition from one concept to another is automatically completed, and it will serve as the basis for the next perception. exist. Look at the girl who works at the horse farm in the film. When she found out that the teacher Liz was not there at night school, she drove to the city overnight. The audience will make the first judgment on the girl's behavior, and some of the audience will agree. The girl's behavior, and the worry is how Liz in the city will feel about the girl's sudden arrival; Some people did not agree with her actions, and they felt embarrassed in their hearts, thinking that this kind of behavior was so inappropriate and hasty, and also predicted that Liz's reaction would be disgusting, and viewers would associate it with the girl's actions. For herself, if the audience has had similar experiences before (this is not limited to same-sex emotions, the same applies to opposite-sex), the girl's behavior awakens this awareness, and it will make herself feel ashamed and humbled. When the girl met Liz in the parking lot, got out of the car and walked towards her, the audience's thinking and reasoning were the most active. There are thousands of collisions and tangles of thinking, and they are not simple at any moment, and they will change with each passing day. With the change of time, they also have no identity, how can we control our hearts? The audience is afraid of the dialogue, reactions and results after their meeting. Viewers who agree with the girl's impulsive behavior will be very worried that Liz's reaction will hurt the girl, but this kind of damage usually does not return to the viewer's heart, or to the viewer. The self-influence is very small, and viewers who do not agree with the girl's behavior are also worried that Liz's attitude will hurt the girl, especially herself. In fact, people who do not agree with the girl's behavior are more likely to have a similar character to the girl, so the incarnation The girls in the film are the ones who empathize with them, not the former. The audience's pleasure or disgust in such a perceptual process of any object in the film will guide their final perception of the film. With the rich experience of watching movies, our emotions are also a perfect and slow evolution process. Of course, the objects that can stimulate the mind or the nature and its subject become less and less, so the movies that move us It is also a rare commodity. Exaggerated sensory stimulation is commonplace. The bombardment of strong visual and auditory sensations arouses the impressions and concepts on the surface of human beings. Over time, the activity of the stimulation decreases, and people will not change it. Emotions, and the delicate emotions conveyed by another type of film may further dig into the human heart, touch the hidden sensitive parts of the soul, and form the subtle image of "moistening things without sound". "A Certain Woman" undoubtedly belongs to such a film. There is no simplicity in a moment, and they have no identity over time, so how can we control our hearts? The audience is afraid of the dialogue, reactions and results after their meeting. Viewers who agree with the girl's impulsive behavior will be very worried that Liz's reaction will hurt the girl, but this kind of damage usually does not return to the viewer's heart, or to the viewer. The self-influence is very small, and viewers who do not agree with the girl's behavior are also worried that Liz's attitude will hurt the girl, especially herself. In fact, people who do not agree with the girl's behavior are more likely to have a similar character to the girl, so the incarnation The girls in the film are the ones who empathize with them, not the former. The audience's pleasure or disgust in such a perceptual process of any object in the film will guide their final perception of the film. With the rich experience of watching movies, our emotions are also a perfect and slow evolution process. Of course, the objects that can stimulate the mind or the nature and its subject become less and less, so the movies that move us It is also a rare commodity. Exaggerated sensory stimulation is commonplace. The bombardment of strong visual and auditory sensations arouses the impressions and concepts on the surface of human beings. Over time, the activity of the stimulation decreases, and people will not change it. Emotions, and the delicate emotions conveyed by another type of film may further dig into the human heart, touch the hidden sensitive parts of the soul, and form the subtle image of "moistening things without sound". "A Certain Woman" undoubtedly belongs to such a film. There is no simplicity in a moment, and they have no identity over time, so how can we control our hearts? The audience is afraid of the dialogue, reactions and results after their meeting. Viewers who agree with the girl's impulsive behavior will be very worried that Liz's reaction will hurt the girl, but this kind of damage usually does not return to the viewer's heart, or to the viewer. The self-influence is very small, and viewers who do not agree with the girl's behavior are also worried that Liz's attitude will hurt the girl, especially herself. In fact, people who do not agree with the girl's behavior are more likely to have a similar character to the girl, so the incarnation The girls in the film are the ones who empathize with them, not the former. The audience's pleasure or disgust in such a perceptual process of any object in the film will guide their final perception of the film. With the rich experience of watching movies, our emotions are also a perfect and slow evolution process. Of course, the objects that can stimulate the mind or the nature and its subject become less and less, so the movies that move us It is also a rare commodity. Exaggerated sensory stimulation is commonplace. The bombardment of strong visual and auditory sensations arouses the impressions and concepts on the surface of human beings. Over time, the activity of the stimulation decreases, and people will not change it. Emotions, and the delicate emotions conveyed by another type of film may further dig into the human heart, touch the hidden sensitive parts of the soul, and form the subtle image of "moistening things without sound". "A Certain Woman" undoubtedly belongs to such a film.
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