Several of the stories come to a somewhat abrupt end, and they all document a turbulence (tendency to good or bad) in a peaceful life.
Suddenly I saw that in "My Heart is Wild", the wild and beautiful Laura, with wrinkles on her neck, slumped on the bed with haggard eyes, weakly teased the man who had just finished walking. There is also a trace of guilt about the routine just now and the upcoming departure, but still speechless. Back at work, she faced the client's distrust of herself as a woman, but she also risked her life to confront the kidnapper with gun (her client) alone under the persuasion of a male police officer. Fortunately, there was no danger, but also thanks to her understanding and kindness.
The second story, the most impressive sentence is when the daughter said to her father about her mother, "You have given her a house, how can you be nice to her." Of course, I really want to reply, "I gave you life, I gave You have a family, so should I ignore you now?", the father is also weak and incompetent, and the role of the good man has attracted the daughter's temporary preference and the wife's disgust, powerless to please, the woman's decision after careful consideration must be better than It's harder for men to turn around.
In the third story, girls who actively pursue feelings only exchange for danger after being tired. People in different worlds are not always able to break through the differences and have a happy ending like in fairy tales.
After the unconscious crossover of life, the viewers are left with infinite emotions, but what about the characters themselves? No one can be omniscient about their own life. The cold of the season will never be colder and more difficult to melt.
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