Qualified Popcorn Chips

Luther 2021-10-22 14:34:41

A qualified popcorn refreshing movie, without the burden of moral kidnapping, letting go of the story of oneself, accompanied by action scenes full of emotion, is a feast for action movie fans! Travota is too suitable for this kind of villain who is both cool and textured. Compared with "Pulp Fiction" and "Changing Face", it is not much better than "Pulp Fiction" and "Changing Face". The performance effect presented is a cool word... Without the growth of steel claws, the dexterous ten fingers only need to tap the keyboard, and do an effortless leisure work~ Hackers can make a lot of money and enjoy the blessings, why not... Halle Berry’s contribution is to pay dividends. , This film once again rectifies the name of the sexiest black actress in film history. It is indeed expected that the classic scene of the water lotus in 007 will be directly seconded. There is no need for spoilers, leaving room for reverie...

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Extended Reading
  • Richmond 2022-03-23 09:01:29

    "If you have the ability to eliminate a disease in the world, the price is to kill an innocent child. Would you do it?" This sentence is fresh in my memory, at least I will not answer as quickly as Stanley.

  • Serenity 2022-04-23 07:01:28

    This ending is also used in the movie, it's just crazy~

Swordfish quotes

  • Ginger: You're not too good at this golf thing, are you, Stan?

    Stanley: You're fucking up my chi.

  • [first lines]

    Gabriel: You know what the problem with Hollywood is? They make shit. Unbelievable, unremarkable shit. Now I'm not some grungy wannabe filmmaker that's searching for existentialism through a haze of bong smoke or something. No, it's easy to pick apart bad acting, short-sighted directing, and a purely moronic stringing together of words that many of the studios term as "prose". No, I'm talking about the lack of realism. Realism; not a pervasive element in today's modern American cinematic vision. Take Dog Day Afternoon, for example. Arguably Pacino's best work, short of Scarface and Godfather Part 1, of course. Masterpiece of directing, easily Lumet's best. The cinematography, the acting, the screenplay, all top-notch. But... they didn't push the envelope. Now what if in Dog Day, Sonny wanted to get away with it, REALLY wanted to get away with it? What if - now here's the tricky part - what if he started killing hostages right away? No mercy, no quarter. "Meet our demands or the pretty blonde in the bellbottoms gets it the back of the head." Bam, splat! What, still no bus? Come on! How many innocent victims splattered across a window would it take to have the city reverse its policy on hostage situations? And this is 1976; there's no CNN, there's no CNBC, there's no internet! Now fast forward to today, present time, same situation. How quickly would the modern media make a frenzy over this? In a matter of hours, it'd be biggest story from Boston to Budapest! Ten hostages die, twenty, thirty; bam bam, right after another, all caught in high-def, computer-enhanced, color corrected. You can practically taste the brain matter. All for what? A bus, a plane? A couple of million dollars that's federally insured? I don't think so. Just a thought. I mean, it's not within the realm of conventional cinema... but what if?