Witch Carrie: The mutual destruction of ugliness and beauty

Sammy 2021-10-22 14:35:38

1

The music at the beginning of the film is warm and affectionate, but also a little sad, and delicate and warm, just like the heart of a girl. She was in bud, beautiful and tranquil in the hazy, blood broke the peace and tranquility... Fear made people fierce and violent, a burst of heart-piercing panic and mockery, she fell into madness and screams, broken light bulbs, broken heart. She is like an upside-down ashtray, losing her strength, and gaining strength at the moment of falling.

Mother regarded "blood" as a sin. Not only did she fail to comfort Carrie, she was tortured. The hysterical conversation, the darkness in the abyss, and the loneliness and helplessness, and a few traces of anger, made her inexplicably twisted and suddenly quiet. Being neglected, she seems to lose her soul and only the body, but she has a sense of spirituality and perceives the unique beauty.

No one has ever told her about the beauty. Ugly and terrible stood on the other side, yelling and laughing childishly. Extremes and paranoia, perversions and distortions work with them, desiring to destroy the fragile beauty.

Touching gorgeousness and intimacy is really beautiful and moving. Encouragement and praise make this flower bloom so splendidly. Gentleness made her heart tremble, freed her fear, and radiated light. She smiled softly and shyly, but at a sweet moment, a "blood disaster" was about to happen.

Anger and hatred were intertwined and burned, and she couldn't bear this huge joke and humiliation. Goodwill is swallowed by mischief, light is whipped by darkness, everything is dark and weird. The blood-red Carrie faded back into her soft body after the light had passed. In the distortion of desire and repression, death is born, destruction is born.

I don’t know if beauty destroys ugliness, or ugliness destroys beauty. Everything is pain.

2

Her mother's perverted education and desire for control made Carrie self-enclosed and extremely low self-esteem. In her subconscious, others would despise her and laugh at her. She was taciturn, withdrawn, evasive, vulnerable, and afraid to approach others. My mother was born to regard it as a sin and a stain, and she never cared about Carrie in her soul, but just denounced her as an original sin and demanded her atonement. Carrie is struggling between two consciousnesses, which is commendable, and she also has a pure and kind heart. Her mother's hysteria and irritability were transmitted to her, her soul was somewhat distorted, and she had her dark side. After being humiliated on this side, she became a devil, a devil burned by hatred. Lack of love, lack of care, lack of encouragement, lack of praise, lack of support, lack of communication, this is the environment in which Carrie grew up. Just as Carrie gained positive energy and bloomed, everything was ruined by revenge.

The teacher gave Carrie the initial care and kindness, guided her to discover her beauty, and guided her towards self-confidence. Sue and Tommy gave Carrie the possibility to re-recognize her beauty, let Carrie walk into the crowd to interact, let Carrie boldly interact with others, and Carrie also had the courage to do what she wanted to do. This process is touching and warm, intoxicating and happy, but so short.

The filming of the film is in place. From the first episode, Carrie's discrimination was introduced. Then there is the scene in the girls' dressing room, the beauty of Carrie in the bath, and then the root of the hatred caused by menarche. As a result, the route of blood is produced. Blood itself has the meaning of fear and filth, and it seems to symbolize the subsequent disaster. The rotating footage of Carrie dancing with Tommy was also impressive, and everyone who saw Carrie laughed after being splashed with pig blood. These exaggerated shooting methods highlight the psychological state of the characters at the time. There are also many scenes depicting Chrissy’s lips, the bright red tongue licking the bright red lips, revealing the viciousness like a snake and scorpion. Kris's shaking hands heralded the disaster, the blood disaster she pulled off the rope, at the end of Su's nightmare, pulling her hand seemed to echo back and forth.

Although Su Yi wanted to help Carrie, her help eventually led to disaster, which made her feel bad psychologically. Second, she witnessed the disaster and the guilt that she failed to effectively prevent. Sue lost the one he loved and experienced the death of his friend. A variety of remorse, guilt, and painful psychology created the bloody hands that pulled her to jail. Sue’s mentality might be that without her idea, Carrie would not be humiliated in public, and people would not die. Therefore, her heart also suffered, the guilt for Carrie, the guilt for other people. This made her unable to let go.

The sound of the scene of being splashed with pig blood was also handled well, leaving only the sound of dripping blood, barrel bumping, and repeated words that made Carrie feel inferior and depressed. Carrie's wide-eyed eyes meant the beginning of horror.

3

The idea of ​​the film should also be multi-layered, leaving enough room for the audience to think.

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Extended Reading
  • Lesly 2022-04-23 07:01:26

    I think the music is very good, the heroine is full of freckles, but she doesn't have a charm. Although the storyline is good, it doesn't have the blood oar, horror, etc. I want.

  • Dominic 2022-04-24 07:01:03

    It was hard to forget Carrie's terrified eyes as she menarche in the bathroom.

Carrie quotes

  • Tommy Ross: [points to a humiliated Carrie after the pig's blood is spilled on her; his voice is blocked out but viewers can clearly read his lips and tell that he is upset and shouting] WHAT THE HELL?

  • Margaret White: He's not coming.

    Carrie: He is coming, Mama. Now stop it. I'm nervous enough.

    Margaret White: No, he's not coming. He's not gonna come.

    [scratches her own face]

    Carrie: Go away!

    [Margaret slaps herself]

    Carrie: Stop it, Mama!

    [Margaret pulls her own hair]

    Carrie: Stop hurting yourself, Mama!

    Margaret White: He's gonna laugh at you. They're all gonna laugh at you!

    Carrie: No one's gonna laugh at me, Mama.

    Margaret White: Stay here with me.

    Carrie: I don't want to stay here with you, Mama. Now sit down and be quiet.

    Margaret White: I'll go downstairs, I'll answer the door. I'll tell him that you're sick. I'll tell him that you changed your mind.

    Carrie: [forces Margaret onto the bed] SIT DOWN AND BE QUIET!

    Margaret White: [gets up from the bed] Listen, I'll tell him that you changed...

    Carrie: [forces Margaret onto the bed again] SIT DOWN! Just sit there, Mama, and don't say a word until I'm gone. I'll be home early. I love you, Mama.

    [she leaves]

    Margaret White: Thou shalt not suffer a witch to live.