If it's not a bad movie in the future, try to do some retrospectives. First of all, the movie starts well and gives a good start to the atmosphere, the relationship between the two people is made sweet and mysterious, with a complex interpersonal relationship. For this kind of movie, casting is more important, Zoe is suitable for such a love movie, because you can trust her to play a girl you once loved and completely lost. The identity is believable, Zoe Her appearance is sweet and sad. In summer's 500 days, she played a strong role, but here is a weak one, a young girl who has no solid ideals and is relatively refined. She seems to have designed some small gestures for this, such as a dry smile during conversations. The casting of the male protagonist and his good friend is also good. The male protagonist is a weak-willed but masculine character. As he said, the male protagonist's good friend is an image of a boy who is not grown up. But they also tend to be destructive and unsmiling. It is also credible for such two people to become real good friends. There is reason to believe that the director has drawn some real life experiences. After all, the emotions of the film are also real and irreversible. like a retrospective. First of all, the love relationship between the male protagonist and the female protagonist has indeed reached an ideal state. The director uses some scenes to talk about this, although I think some scenes are still clumsy and cannot achieve the scenes that a real love story once showed. The male protagonist exaggerates this ideal state because of this ideal state, and is unwilling to have sex with the female protagonist, like saving the good for the last to eat, or expecting a happy mood before a good thing comes, and the female protagonist falls in love for the first time Others, longing for a passionate relationship. Later, the two didn't get back together, because love is one thing, and establishing a love relationship is another. The male protagonist dresses up, knocks on the female protagonist's door, and the audience begins to look forward to it. This expectation is immediately destroyed and cannot be recovered. So at the end, everyone can only pretend to maintain a static atmosphere without sadness and joy. middle. I like the stories of small towns in American movies. The characters in them are tired, longing, helpless, and can't fully walk into the fairy tale life at the end of the story.
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