please believe in love

Palma 2022-03-29 09:01:05

9 points + Farhati made up. The concentration of Farhadi aesthetics (social drama + extreme dramatic tension + Iran's unique story logic) is perfectly presented. It can also be regarded as a rare screenwriter award in recent years (but the male protagonist gave it a little reluctantly). As for Oscar... (Fahadi and Maren Ade are fateful rivals!). The stage play dispels the stage sense of other scenes to a certain extent, and the use of intertextuality is quite pure and stable. However, the film's "no nonsense" also seems too crafty, and the ending is a bit delayed.

Desmond 2021-12-29 08:01:30

It is inevitable that I will be caught in a deep impression of a farewell and compare all subsequent works, but Fahadi is really a master of dramatists, and his lines seem to be eloquent but powerful, but this time with the "Salesman" drama itself. Contact needs to be considered. The most successful thing is that even if the film is an event that can be displayed with violence and horror, the final effect is the anxiety and struggle of the young middle class. It's worth tasting, the two actors are very good