At the beginning it was the familiar Bertolucci feeling, slow but full of rhythm. As the story unfolds, I gradually see the characters' questions about the world, "No matter what we see in front of us or whoever is with us, we can't fill the emptiness in our hearts." Emotions that cannot be controlled can only be suppressed and relieved in struggle and presumptuousness, but involuntarily the sadness rendered by inexplicable emotions, especially in this barren place, when the two embrace each other and cry, cannot help but be directed by the director again. Impressed by the collaboration with Ryuichi Sakamoto. Nothing happened in between, except that despair came to a head when Kit had to blend in with another group, after Potter had left. The last hope makes people feel suddenly relieved, __ who realizes the emptiness of life is more eager to live truly than anyone else. (Because we don’t know when death is coming, we regard life as an endless resource that can be squandered. However, the vicissitudes of life are always limited in life, childhood, afternoon, people and things lingering in life, How many of these afternoons can I recall? Maybe four or five, maybe not so many. How many times have I seen the full moon rise in my life? Maybe twenty. Yet people still feel that life is endless.) Tribute to Paul Powers, Bertolucci, and my beloved Ryuichi Sakamoto.
View more about The Sheltering Sky reviews
