Personal analysis on the parallel dimension of the film

Bette 2022-03-22 09:02:16

This is the first time to write a film review, novice remarks, don't spray if you don't like it~

Closer to home, I admire the screenwriter's brain hole, and really play the parallel universe theory to the extreme. I originally thought that the first part could be explained by a dream in a dream of the heroine. Finding the murderer who will eventually kill her is the rule of the game to win, and completing the game task is to pass the level.

After watching the second part, I realized that I was wrong. The first part is only the superficial part of the development of the parallel theory, which is one of the branches of the protagonist in the countless dimensions of the universe. In the play, I boldly proposed the theory of variables, which made me realize.

The different lives experienced by the heroine in the two films can be divided into two of the countless branches of people in the parallel universe. That is to say, the heroine experiences two selves in a parallel world. Yet within each large branch there are countless different small branches. Large branches because most of the variables in each large life stage between branches make each large branch distinct from the others. In layman's terms, people in different dimensions of the world will have different family backgrounds, different life experiences, and different friendship ranges, etc., which will shape their own different destiny. Just like in the movie, the heroine meets her mother who has passed away in the second dimension, and her boyfriend who is no longer her. These are all variables. It is because these variables exist in every major stage of each person's life that each parallel world is completely different from itself.

After talking about the big branch, there are still countless small branches among the large branches. If it is said that the values ​​of several major life decision variables in each life are the same, but the values ​​of the small choice variables made in the big decision are different, it will lead to countless small branches in the large branch that are extremely similar but still different. As long as one variable is changed in the big branch, a different dimension will appear. If several variables are changed, multiple different dimensions will appear. With this explanation, it becomes clear that each big and small choice made at each different stage of your life, linked together is just a small branch of a large branch you have in a parallel universe. If a small selection was changed before, it was just another small branch within the big branch. It is equivalent to changing a small variable in a large branch. Of course, large branches and small branches are only relative terms, and each small branch will be composed of countless small branches, which is what I mean.

If I think so, then everything is understandable. What the heroine is looking for in the movie to kill him is actually an inconspicuous little variable in her dimensional branch. Among the countless small branches under the big branch, only one branch does not have this variable, and there is no one who wants to kill him. All branches except this one have this variable, if the variable is not found it will be killed in this branch and re-find the branch without this variable. Then, like the heroine in the movie, it enters an infinite loop until it finds a branch without this variable.

After talking about the plot theory I guessed, the plots of the two movies are not that complicated. A big branch where the first heroine was located eventually found that variable by herself, ending the death cycle. In the second part, the scientific experiment conducted by the boy who appeared on the stage and a few classmates was actually the study of the subject that can change the variables in the world of different dimensions. By changing the variable, he accidentally made the two-dimensional self meet, and was hunted down by the self in the other world. In order to end all this, he used a scientific machine to send himself back in another dimension, but he did not expect to send everyone to another dimension of everyone.

It should be noted that the heroine is not sent to the big branch where the countless small branches of the first part are located. It is another big branch. The variable parameters of each life stage of these two big branches are completely different, so the heroine found the deceased mother of the first part in the second part, and the boyfriend of the first part became the second part. someone else's boyfriend.

The heroine also realizes this, and she finds this scientific group to live in the big branch of the current dimension, but only if she finds one of the variables hidden in each small branch. That is, the variable that would allow her to be killed. Then the heroine needs to use the exclusion method to find this variable in each small branch. The transition of each small branch is death. Then came the part that everyone likes to see and hear, witnessing the N kinds of suicide methods of the heroine.

Finally, after dying N times, she found that variable parameter. This parameter is related to the hospital, which means that under the big dimension of the second film, as long as the heroine is not tricked into the hospital for any reason, she will not die. The heroine can live in the dimension she wants, and the scientific experiment team succeeded, everyone is happy.

But finally it was my turn to choose which dimension to live in, and the question came, whether to choose my mother or my boyfriend. The boyfriend in the previous dimension went to the hospital alone in order to prevent the murderer from continuing to kill, but was killed by the killer. In order to save her boyfriend from driving into a power station, the heroine terminated the lock on this dimension, and then woke up and re-selected the previous dimension to live in. After all, reality always has to be bravely faced by oneself. The latter part of the ending is a bit slow, so I won't go into details.

The screenwriter of this movie is indeed very brainy, and has a deeper and more innovative view and cognition of the parallel universe theory. It's something I rarely see in other similar movies. There's a lot to write, so let's go here first.

View more about Happy Death Day 2U reviews

Extended Reading
  • Jaylen 2022-03-27 09:01:13

    A completely unnecessary sequel... Except for the novelty of the first one, this one has nothing. I feel that the screenwriter is working very hard, and I want to get involved in everything, but it doesn't look like anything.

  • Zion 2022-01-05 08:02:02

    Hahahahaha, I have been filming Happy Death Day 2 next to my house these past two days.

Happy Death Day 2U quotes

  • Ryan Phan: Great. I have to manually re-enter all this code.

    Tree Gelbman: Okay, how long?

    Ryan Phan: Six, seven hours.

    Tree Gelbman: Ryan, look at me. I am on borrowed time here. Understand? Get it done.

    Ryan Phan: Uh, yeah, I'm on it.

    [Tree leaves. Carter runs after her]

    Carter Davis: Tree, wait up.

    [Tree continues walking away]

    Carter Davis: Hey. Are you sure about this?

    Tree Gelbman: Of course I'm sure.

    Carter Davis: Okay, well, what about the killer?

    [Tree stops]

    Carter Davis: I mean, you said people are gonna die tonight. If you close the loop and we don't help, then they're dead for good, aren't they?

    Tree Gelbman: [firmly] I have to stay alive. I can't go back to that hospital. It's way too risky.

    [Tree starts walking away]

    Carter Davis: Okay, so that's it? You're just gonna walk away and let a bunch of innocent people die?

    [Tree stops and returns to face Carter]

    Tree Gelbman: People die every day, Carter. I can't be responsible for everyone, okay? I know how selfish that sounds, but it's true.

    Carter Davis: [disdainfully] Yeah, no, that sounds incredibly selfish. Are you serious?

    Tree Gelbman: [shakes her head tearfully] That's not fair. You have no idea how hard this is for me. I don't want to have to choose between you and my mom, but I have to.

    Carter Davis: What do you mean, "choose"?

    [Tree hesisates for a moment]

    Tree Gelbman: Carter, we're together in the other dimension.

    [Carter gapes]

    Tree Gelbman: I woke up in your bed every morning, just like this morning. I did it over and over and over again until I fell in love with you. But that version of us is back there, and my mom is alive here. So I've made my decision.

    Carter Davis: Wh... what if you're wrong? Huh? What if you're wrong? What if this isn't the life that you're-you're supposed to have?

    Tree Gelbman: So, what? I'm just supposed to go back to some dimension where my mom's dead?

    [Tree shakes her head, choked by tears]

    Tree Gelbman: I can't. I can't lose her again.

    Carter Davis: [quietly] You already did. And none of this is real if it erases that. You're just... you're living someone else's life that doesn't belong to you. Y-Your pain, th-that loss, that's... that's what makes you you. But you have the chance to do something other people only dream of.

    Tree Gelbman: What?

    Carter Davis: You can say goodbye.

    [before Tree can answer, they hear Danielle calling Carter "Yoo-hoo!". She approaches]

    Tree Gelbman: Your girlfriend's calling you. Better go.

    [Tree walks away]

    Danielle Bouseman: What's her problem? She just ditched our house meeting.

    [Carter does not answer. His eyes are fixed on Tree, as she getting further from them. Danielle notices that and snaps her fingers before his face]

    Danielle Bouseman: Hello? What were you guys talking about?

    Carter Davis: [lies] Nothing. We were just... we were going over school stuff.

  • [Tree is sitting in her parents' car. They drive away from the campos. Tree feels gloomy. She has second thoughts about her decision to stay in this dimension]

    Julie Gelbman: [turns to Tree] Hey. You know what I'm craving right now?

    Tree Gelbman: What?

    Julie Gelbman: One of those giant cinnamon rolls from that bakery in Morro Bay.

    [Tree looks puzzled, since she does not remember anything like that]

    Julie Gelbman: From our birthday last year. You don't remember? You ate two of them.

    Tree Gelbman: [whispers] That wasn't me.

    [Tree realizes Carter was right; she does not belong to this dimension]