Deep sea catastrophe: the main theme of the world is full of joy

Julien 2021-11-22 18:54:23

The main melody has the main melody shooting method, and the American main melody has the American main melody shooting method. But in the final analysis, the main theme of the United States is also the main theme.
"Deep Sea Catastrophe" is one of the two Peter Berg directed films in just a few months in the second half of this year. It is also another Peter Berg/Mark Wahlberg theme since 2013-"Lonely Survivor, "Deep Sea Catastrophe", the upcoming "Patriot Day" and many future preparations, the combination of this best partner is likely to continue for some time to come.
If "Patriot Day" depicting the Boston Marathon bombings can be as reliable as "Deep Sea Catastrophe", we are likely to see a few Bergs on stage to win prizes during the awards season at the end of the year. With such a high-quality and high-volume combination performance, it doesn't matter which of the two Bergs can win the prize.
Focusing on the biggest oil spill in U.S. history, Peter Borg finally recovered his former style as a disaster film director in "Deep Sea Catastrophe". While providing shocking visual impact, he built solid roles one after another. And establish a strong connection between these roles based on emotion. The performances of John Malkovich, Mark Wahlberg, Kurt Russell, Gina Rodriguez and Kate Hudson were indeed uneven, but under the tight editing, the acting skills The deficiencies on the above do not seem out of place.
To sum up, we can still get good visual stimulation and infectious characters in "Deep Sea Catastrophe". In this movie, Peter Berg always takes the visual experience as the ultimate goal, although the foreshadowing in the first half is a bit tedious and routine, the big scenes in the second half are a little too dense. But similar to Peter Berg’s last film "The Lonely Survivor", this pseudo-documentary film and the traditional biographies of "Captain Sally" have a significant difference in narrative methods, focusing on portraying the characters. The purpose of the group portrait is to focus on forming the families involved in the accident—family concept is an important part of the entire American culture. For small and medium-cost movies, the family who wins the world is a very worthy creative guide.
However, under this guidance, the creation of "Deep Sea Catastrophe" actually showed serious avoidance, turning the profit-seeking and despising risks of the entire group into personal abuse of power, and dispelling its critical attitude from the perspective of individual heroism. Stop on the re-exhibition of the American spirit.
After all, the oil spill in the Gulf of Mexico is not a natural disaster, but a complete man-made disaster. If even man-made disasters are discounted, the foothold of the whole movie is very questionable.


In any case, "Deep Sea Catastrophe" is a main theme movie that tests the audience's recognition of American mainstream values.
Mark Wahlberg is a very down-to-earth actor-this place is naturally American. Mark Wahlberg in "Deep Sea Catastrophe" is undoubtedly a typical American personal hero, with wisdom, strength and calmness, and a natural leader. The performances of Kurt Russell and John Malkovich, who partnered in the film, were also expected, except for Kate Hudson who seemed a bit tasteless-after all, American sweet girls cannot be sweetened for a lifetime by sweetness alone. But in short, the main actors have basically captured and restored the spirit of the American southerners very well-even though most of the time, they have been acting as human backgrounds or avoiding the shocking fires of the drilling rig.
Speaking of flames, the CGI visual effect of "Deep Sea Catastrophe" is really outstanding. The carefully crafted scenes involve all aspects of the daily operation of the entire drilling rig, from oil extraction to mud flow to plate breaking-it sounds boring, but it provides enough sense of substitution to resonate emotionally with the audience. And the large number of explosion scenes made people sweat, and the details were bloody.
But the biggest problem with "Deep Sea Catastrophe" is its overly routine plot design. Since it is a real event, the ending of the story must be lacking in suspense, and can only be predicated on the plot. However, the overly dramatic plot makes people feel tired, and it is not worth encouraging to keep calling for the patriotism in the hearts of the American people. The plot seems too fake at certain moments-using the flag to put out the fire is really melancholy. From a certain point of view, this creative conservativeness is to cover up the truth in disguise, using the old heroic moments intertwined with symphony and close-up shots to convey the emotional expression of Hollywood's assembly line, and the focus of the entire incident is from monitoring and Improper handling of transfer has become a brave struggle between man and nature, and it has wiped out the huge impact of the oil spill on the ecology of the entire Gulf of Mexico.
As a commercialized main theme movie, this kind of disposal method is nothing. But after all, it is not something to be proud of.


"Deep Sea Catastrophe" is the kind of film adapted from the most common real historical events in the fall season-the same as "Captain Sally", the theme is positive and the spirit of insurance is positive, there is nothing wrong with it, and it is not too interesting. But it is reasonable to say that the quality and market performance of the main theme of the assembly line film without any subjective attitude of the creators is the hard indicator that tests the development of the film industry. "Deep Sea Catastrophe" can provide emotional stimulation and has a good CGI level. Even in the face of the predictability and excessive drama of the story, it has never reached the point of disgusting.
It is true that "Deep Sea Catastrophe" downplays subjective negligence and focuses on the survival of the characters, but this choice is not a problem as a commercial film. As long as it can give full play to the ability of visual effects, can make the audience care about the safety of the characters on the big screen, as long as it has qualified performances and mature stories, this is a good movie.
Even if it may be one of the most routine movies.
But the routine itself is not guilty, and the problematic is always the person who uses the routine.

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Extended Reading
  • Abelardo 2021-11-22 18:54:23

    The biggest problem is that the characters are too flat and stylized-although it can be seen that the screenwriter has worked hard to write three-dimensionally; but Borg is still quite technically strong, especially in the 4D hall with various effects, which is extremely bursting.

  • Kennedi 2022-03-22 09:01:43

    In contrast to the oil blowout that soars into the sky, the film is restrained, prudent and restrained, and refuses excessive emotional control. The script is solidly written and lines are written to be full of life and in line with the character's character, and there are words in the words with profound meaning. The great point is that the film does not fall into the limitation of moral standing, but it shows the tragic losses caused by BP's negligence to the drilling workers, and more is the indiscriminate mutual assistance and rescue of life individuals.

Deepwater Horizon quotes

  • Felicia: I just had the craziest dream. Wow.

    Mike Williams: Wow? Wow. Was I in it?

    Felicia: I was... no. I was at a concert, and then on the side of the stage there was this... it was like a two-legged rabbit and...

    Mike Williams: Mm, I don't know what part of that is more terrifying.

    Felicia: Listen to me. Listen to me. I would move... and then it would mimic everything I was doing.

    Mike Williams: Oh, don't tell me any more, because I know where this is going.

    Felicia: I think the rabbit was my...

    Mike WilliamsFelicia: Mother.

    Mike Williams: Yes, I know. Thank you. Now it's my nightmare.

  • Mike Williams: Might be an ignition problem with your Mustang.

    Andrea Fleytas: I was thinking it was maybe fouled plugs.

    Mike Williams: Well, it could be a wire. Could be distributor. Does it sound like it's skipping?

    Andrea Fleytas: Nope.

    Mike Williams: You know what I'm gonna do for you, young lady? I'm gonna keep thinking about all the expensive things could be wrong with your ride.

    Andrea Fleytas: [sarcastic] Gee, thanks.

    Mike Williams: Hey, stick shift or automatic?

    Andrea Fleytas: Do you know me?

    Mike Williams: Oh, you gotta stop grinding the shit out of that clutch. I know that.

    Andrea Fleytas: Oh, yeah. Says Mr. Toyota.