Mediocrity

There is some difference between the big brother's Hollywood films and the local products in Hong Kong. Perhaps it is because of the need to allocate energy to the unskilled English, which makes the performance always seem unattainable. This is a common problem among the Chinese, and Zhang Jingchu is also the same.
The gradual mediocrity of the action scenes may be due to the fact that the older brother is getting old. It’s always not a way to go on like this. Funny kung fu is the foundation of Jackie Chan’s success. This kind of joke is common in Hollywood, but it is still a bit uncomfortable to happen to Jackie Chan.
Chris Tucker's chirping noise is very unpleasant. And the plot is really nothing new. In the past, these flaws would have been covered by Jackie Chan's magnificent kung fu, but as the kung fu faded away, the deficiencies in the plot became more and more obvious.
The relationship between Hiroyuki Sanada and Jackie Chan is too understatement. It's just that how can there be such a complicated emotional bond in the same orphanage, and why this bond is only owned by Jackie Chan. Finally, on the safety net, Sanada let go of Jackie Chan’s hand, which seemed hypocritical. If you want to be touched when Jackie Chan reaches out to save him for the first time, you should be touched, or it will be broken to the end. For the development of the film, it was too blunt.
Noémie Lenoir's first appearance is quite amazing. The big V-neck has seen everything that shouldn't be seen. The French supermodel is indeed in good shape, showing the vase itself. As for Zhang Jingchu, I really don't know what she is doing.

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