Don't want to lose, use madness to keep

Josie 2022-03-20 09:02:03

Adapted from Tatsuya Yoshimura's work "Sisters" (no Chinese version), because of the relationship between the two Tatsuya Yoshimura translated from Zhuhai, I have never had a good impression of this product. After watching this movie, it can be regarded as a refresh. For Yoshimura's understanding, in this adaptation, the tricks, atmosphere, and what the author wants to criticize are all good. The film is similar to the original. If you don't want to read Japanese or can't find the book "Sisters", you can take a look. This movie, re-acquainted with Yoshimura.

The rhythm is very slow at the beginning, but one mystery after another is thrown out, and people have the desire to continue watching, starting from the memory of the heroine's mental hospital: the heroine and her sister came to the suburban hut where her father and stepmother lived, (note that , if you notice that the father is calling the heroine to get off the bus here, using "you" instead of "you", you will find the tricks in the whole film It was very unpleasant, strange things happened in the hut, ghosts and ghosts appeared, the bird raised by the stepmother was killed for no reason, and the heroine, the heroine's sister, and the stepmother had menstruation on the same day (this is also a hidden line, which is caused by the tricks behind. Fu), the angry stepmother shuts the hostess in the scary wardrobe (why this wardrobe is terrible, I will explain later), there are guests outside, the stepmother talks about the past, people say they don’t know (because of the trick, it is inevitable), the visitor The middle-aged girl suddenly fell to the ground during dinner, in a miserable state (I don't know what the whole film means)... The relationship between the heroine and her sister and stepmother was tense (and bloody later), the father couldn't bear it, and finally said the heroine The truth of the girl's death, at this time, it can be concluded that the heroine is a dual personality, but this is not the end, the heroine's stepmother did not go to the hut at all, and it was long after the scene got out of control. All the previous stepmother images were women. The third personality of the main character, everything is the heroine's "one-man show", and the reversal to this point is only half of the truth. The reason why the heroine becomes like this is because the father had a woman outside at the beginning, and his mother She committed suicide in the wardrobe. When her sister saw this scene, she turned over the wardrobe and was pressed under the wardrobe. sister died...

Losing two relatives in one day, it is strange that the heroine is not mentally ill. No one wants their family to become like this. Her triple personality is both retention and resistance. It is not her fault, but she has to bear these...

The ending is very open, the terrible wardrobe retaliates against the heroine's stepmother (is it a ghost? I prefer to believe that this is related to human nature), leaving a lonely back of the heroine... (What is the so-called criticism, you should think for yourself )

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Extended Reading
  • Chelsea 2022-01-04 08:01:17

    The pictures and characters are beautiful and nothing to say~ the plot. . . If it weren't for watching other film reviews written by others later. Don't know what's going on

  • Dan 2022-03-26 09:01:08

    18978 Sister Lin Xiujing's fascination is deeply schizophrenic and split into three people

A Tale of Two Sisters quotes

  • Moo-hyeon Bae: Soo-mi, I know you're very angry with me. And I know I'm a bad father.

    Bae Soo-mi: You're not even a bad father.

    Moo-hyeon Bae: It's cold so let's go inside.

    Bae Soo-mi: I will.

  • Bae Soo-yeon: Did you go to my room?

    Bae Soo-mi: [nods] Hmm.

    Bae Soo-yeon: Who was it?

    Bae Soo-mi: That woman.

    Bae Soo-yeon: Stepmom?

    Bae Soo-mi: [nods] Hmm. It's strange.

    Bae Soo-yeon: What is?

    Bae Soo-mi: That woman is strange. And so is this house.