a leap. I was moved to tears
. It's interesting that the contradictions are all in blue and red.
When she wears red clothes and uses a blue towel Conflict arose when wrapping up her husband
and then Pakka walked through the light blue corridor leaving her in red
So she almost collapsed Wearing blue and wearing red
Hearing the song of fate The screams and parades from the outside magnified and
finally Leo and the little old man ( Angle?) is all red flamenco. Also on a dark blue background, the opening
blood-red lights are dyed red. Hair and face are sidelighted, but turned blue.
But the little old man lost himself in various quotes and lines.
She had to go back to the blue room until Antonio showed up (I checked that the beautiful man was Joaquín Cortés tsk tsk)
the hallway was lit up with orange lights, breaking the blue-red stalemate, and then
Leo realized that she too could be counted on by others. She was no longer there. It was the helpless who
finally accepted that the little old man went to his warm orange room The
reflections of several images were also very interesting.
Once Leo went to the little old man. Her face formed multiple selves on the glass door. He admired her and she was indifferent. Once, she and her husband quarreled. His face formed multiple selves
on the glass door. She loved him and he was indifferent . She's helpless and tiny in the little mirror, of course it's a full-blown drama, no gay, no transgender, no transvestite, no nudity, about hope, about faith, about family lol
Rossy de Palma, who played the younger sister, appeared in The Loss of Sexual Innocence and Boulet, Le!
It's hard to recall!
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