-Hitchcock bull b!
Especially in the middle and back parts, the male protagonist describes the scene in the cabin on the night of Rebecca's death. He is describing Rebecca. The camera moves with his narration, but there are no characters in the camera. Everything depends on the imagination of the audience. The empty mirror brings The shocking and visual sense of the image made me immersed in it. Maybe this is the blank?
The narrative technique is clear and interesting, and the fast-paced lead is not enough to think about, but it can also grasp the subtle psychological changes of the protagonist. I don't think the fast pace makes the characters thin and unfilled. How lucky were people half a century ago to be able to see this masterpiece in advance?
I was very impressed with the way Mr. de winter handled things, he kept making the heroine as honest as he was with himself. He's so gentleman, considerate, that's why he's taken aback by the Rebecca deal.
The heroine's micro-movements also vividly portray her psychological activities, such as nervously grabbing her little finger, her slightly hunched back due to the eerie coldness of Manderley Manor, and her often gloomy face. I also admit that beauty, wit and intelligence are important to a woman, but kindness, sincerity and modesty are the same shining qualities.
The housekeeper, Mrs Danvers, is so obsessed with Rebecca that she has a wonderful expression that reminds me of Madame on Sunset Boulevard. Worshiping idols, in essence, carries with it a blind zeal and the urge to defile the idol.
The focus of the film's narrative revolves around Rebecca, and she does triumph.
View more about Rebecca reviews
