self-improvement

Ariel 2022-04-11 08:01:01

When I was a child, I watched Jet Li's Huang Feihong. He was so valiant and upright, and at the same time, he was unbeatable in martial arts. At that time, Huang Feihong was like the American superhero today. Strong enough to carry out justice to the end, punish evil and promote good, and fight injustice. In all hero movies, we look to such a powerful individual to change the world. Now watching "Once Upon a Time", I pay more attention to the background of the times that Director Tsui Hark emphasized. In "Once Upon a Time in Huang Feihong", Master Yan, who practiced iron cloth shirts, was killed by a foreign gun. Before his death, he said to Huang Feihong that no matter how high our martial arts are, we can't match the foreign gun. This is the impact environment of a changing era, and Huang Feihong is a contradictory figure at the center of the whirlpool. He has received traditional education since he was a child, and he also showed ignorance and fear in the face of foreign culture. If it weren't for the beautiful 13th aunt who returned from overseas, his views on foreign culture would not necessarily be as enlightened as later. . In the chaotic situation of the times, what the characters in the film ultimately seek is a position. Donnie Yen's Nalan Yuanshu is the final villain in the film, but he is not a villain and villain in the general sense. He is also outstanding in ability, hates foreign aggression, and has a sense of powerlessness that "it's hard to do everything alone". He is proficient in English and communicates with foreigners without being humble or arrogant. When suppressing the White Lotus Sect, he also told his subordinates not to hurt innocent people, but he was still an "old" person in the end. His position was a Qing court official, and his loyalty became Huang Feihong. An obstacle to our progress, he became an unavoidable tragedy. "A Man Becoming Self-improvement" is the most complete film in the Wong Fei Hung series. Almost everything is covered, including the climax of the fight scene, and the lovely and touching relationship between Huang Feihong and Thirteenth Aunt. The supporting characters are also outstanding, such as Liang Kuan's love for Thirteenth Aunt, Sun Wen's lofty aspirations, and Lu Haodong for the revolution. sacrifice.

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Extended Reading
  • Cassandra 2022-04-17 09:01:13

    The best of the trilogy. From Foshan to Guangzhou, the masters and apprentices are simplified to three people: Huang Feihong, Liang Kuan, and Thirteen Aunts. The film covers the Qing government, the White Lotus Sect, foreigners, the revolutionary party and other forces, showing Tsui Hark's family and country feelings and reflection on the wisdom of the people. Among them, the White Lotus Religion is obviously a combination of the White Lotus Religion in history and the Boxer Regiment in the late Qing Dynasty and the early Republic of China. The villain Nalan Yuanshu, played by Donnie Yen, said, "People are in the rivers and lakes, and they cannot help themselves." , With a tragic meaning, at the end of the street battle, the two Kung Fu superstars are in the same frame, and the second club duel is called a classic of martial arts. The handling of Sun Wen, Lu Haodong's revolutionary party in Huang Feihong's team was too sloppy, and it showed emotional identification rather than political identification.

  • Kolby 2022-04-21 09:03:53

    Looking back nearly 30 years later, just counting the action scenes, the peak of Chinese costume action movies seems to be still in the Huang Feihong series, which is really emotional and sad... The editing is still the chaos and roughness unique to Hong Kong movies in the golden age, but this A political metaphor is well done, and the literary drama is also occasionally brilliant. The laughter is very advanced. It is not as ridiculous as most of Xu Laogua's works. It's too fluffy, otherwise there will be one more star.