Toad's oil seeps too slowly, but toad clothes are pretty enough

Kole 2022-03-21 09:01:53

After viewing Kurosawa Akira's "Chaos"

First of all, explain the title. After reading Akira Kurosawa's autobiography "The Oil of a Toad", he said that he was like a toad for everyone to see.

1 My favorite is the Japanese military commander's costumes are so beautiful

Winning the Oscar for Costume Design is worthy of the name

2 The most annoying thing is that the rhythm is slow, there are too many long shots, and the people watching are drowsy and completely tortured. Narrative garbage.

Jiang Wen, who was sent to the round table, said that in terms of film technology, it can be done even higher, the picture is good, and the sound is good. Enjoyed watching.

The Japanese military commander's battle flag is really beautiful, the neat symbols and the atmospheric background color, and the well-behaved cuboid cloth strips, it's great. Much more handsome than the wind. The contrast between the sturdy armor and the flowing flag is so beautiful!

The plot is Shakespeare's King Lear. The old man is always confused, and the emperor will do it all his life. But why can Washington not be king and establish a parliamentary system. Therefore, feudal monarchs must centralize power. If it is a capitalist system, it can be a parliamentary system. In Chinese history, the king of the Yan Kingdom of the Warring States Period gave way to the state, which led to sharp contradictions and the capital was broken.

The backward feudal system has the supremacy of kingship, and there is no check and balance mechanism. Therefore, everything is based on reality. The Warring States period of the jungle must have a strong centralization to be able to unify.

Looking back at the story, the old protagonist passed the throne every time he died, completely delegating power, the eldest son was not filial, and the second son was not filial, and only had power in his eyes. Together to bully the old man. The old man went mad, because Saburo, who was exiled to his father who bluntly persuaded and contradicted his father, later led an army to save the old man. In the end, all the protagonists of the story died. The most successful one was the eldest son's wife, who encouraged Taro to expel the old protagonist. After the eldest son was killed, he seduced Jiro, killed Zhongliang, killed Saburo, and finally was destroyed by the country to complete his revenge.

I like the yellow, red, and blue samurai army battle scenes the most, spears, samurai swords, bows and arrows, muskets. It's very interesting, that kind of love from the bottom of my heart, it's cool and handsome, it's like participating in an immersive game in such a background.

In the end, the flaws do not hide the beauty, five stars for clothing, one star for narrative, four stars for scenes, and 3.5 stars.

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Extended Reading
  • Maude 2022-03-21 09:01:53

    The #SIFF# restoration is so beautiful. Clouds, winds, grasslands, war horses, and Noh-like faces. Japanese King Lear is not only very Japanese, but still very much King Lear. "Here's Hell," as it turns out in "Range" (the last seen appropriation was Bruno Dumont's "P'tit Quinquin").

  • Aletha 2022-03-28 09:01:03

    #2019North Film Festival# A doomed tragedy, Akira Kurosawa integrated Shakespeare's plays into the background of his own country. In the tearing of a father and three sons, Kuang Ami, Hirayama, A Feng and even Hei Jin were all deeply portrayed. It's hell, but going mad and dying in troubled times is liberation. The three arrows are still broken together. Watching the Emperor's film on the big screen is really shocking, the colors are used incisively and vividly, and the dynamic beauty surging in the static state. It would be wonderful to have Tatsuya Nakadai and Hiroshi Abe play father and son in [Lear by the Seaside], and the two are really similar.

Ran quotes

  • Hidetora: The Great Lord goes nowhere alone.

    Jiro: You renounced your power. You have no need of an escort.

    Hidetora: Only the birds and the beasts live in solitude.

  • Kyoami: Why stay with this mad old man? If the rock you stay on starts to roll, jump clean. Or you'll go with it and be squashed. Only a fool stays aboard.