The 3rd screening day of the main competition unit of the 12th #Faro IslandFilm Festival# brings you "Daisy", and the following brings you the wild and wild comments of the frontline angel girls!
George:
A world of trash and good movies.
swipe:
When the narrative is no longer important, only fragmented romance remains.
Nofan:
The film is still very avant-garde even today.
supremacyacron:
This film is dedicated to those whose mental lives are completely deranged.
Bat bat:
If you like weirdos, I'm actually pretty,,, not to mention two angels and weirdos who have fallen into the mundane world,,,
Fruit trees:
The film proves that innocence and evil, indulgence and order, colorful and tasteless, depraved and aggressive, can all be synonymous.
Queen of the Faroe Islands:
God is a masterpiece, very few can surpass "Daisy" in terms of color, setting, composition, and lens. I am more and more favored by similar movies with the ultimate audio-visual stream of consciousness, such as "The Color of Pomegranate", a simple film that does not need to use the brain enjoy.
earth:
In retrospect, the image style is extremely bold. The logic at work around life is emptied and fairy-taleized. The reality of the film's reconstruction is irrelevant, because what the audience sees has changed from being destroyed, ignored, played with and (visually) deceived by the protagonist and the director to a pure image magic.
The song is wrong:
It is visually striking. We fall because it proves that we have existed. The out-of-control order is fragmented and scattered. The wooden sticks in the water cannot be grasped, and the fragments cannot be recovered. The chaotic spiritual life will not be suddenly rebuilt. The composition, The tone, editing, and shots are all great, full of agile and uninhibited brilliance.
sparrow:
The skeletal dubbing of the two people in the opening film is wonderful, that is, it shows the life of a mentally lost and fallen girl. The experimental Czech New Wave, while the world of women's perspective is also unique and transcendental. Desire, numbness, indifference, laughter, and disgust show a certain age-specific game life and frivolity through bright and confusing colors.
Pincent:
It can be understood as a female comedy with many musical and physical elements and imitating Keaton silent films, unleashing vitality and appetite, fashion, freedom, and resistance to the male gaze, with a gesture of destroying and dismantling everything, "What? We should try things", and after the end of the fall, he is still bound and obeying certain rules.
Pours full of Zhao +: The picture is really beautiful. I want to prove my existence, so I choose to degenerate, how to degenerate, and deceive food and drink in various ways. The film is broken everywhere, the ticking typewriter, the sound of explosions, the chaotic leftovers, all kinds of fine patterns... Accompanied by the unexplained fine breath of language, even though the picture is so beautiful, it also produces a strong sense of physical discomfort. Putting everything that was broken back together seems to restore everything, take a short rest, and the world is still collapsing. This film is really dedicated to people whose spiritual world is completely chaotic.
Midnight no one:
"I can't always think about new stuff" "We might have to think about a worse life". The sets, colors, and editing work together to achieve an astonishing visual experience. All the dialogues and actions between the two women are burning with an extremely naive and exuberant vitality. They are using the same instinctual indulgence to seduce men and then push them away, come to dinner parties and then destroy them, enjoy art and then cut art, trample on rules and then rebuild them. When the sense of destruction reached its peak, the Swarovski crystal chandelier suddenly fell, and it became a nuclear explosion rising from the ground in our spiritual world. You see, happiness is a moment, disillusionment is also a moment, only the disaster left by our profligacy will become forever in human memory.
Bob_Chow:
Czech New Wave. The behavior is gradually repeated, and all the crazy splendid images under the same motif are constantly expressing only slightly different symbols. However, the fast pace of the film editing means that the audience does not have enough time to carefully distinguish the meaning of the symbols. Substitutes produce meaning, but differences under a certain system). The aging of Czech society after the war, the departure of people, the departure of a degenerate but simple image, constantly sent away at the train station, the specific person is always alone, but the rules still exist, and they still need to be adhered to until the end. The fire of war is the beginning and the rhythm, and disaster and innovation are always expressed in similar patterns. Looking back without fear of staring is enough to pose a challenge, refer to Picasso's Maiden of Avignon. Devouring and absorbing, cutting short, are all attempts to separate, but it is still the world in the window, the marionette in the spotlight (squeaky sound), there is no escape. Time and structure are weakened, pure images but a lot of thirst for analysis, unless it is only an aesthetic full of sexual fetishes, then it must be successful.
#FIFF12#DAY3's score for the main competition magazine will be released later, please wait and see.
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