If the characters are a little more confused and the camera is a little more empty, Antonioni will also possess Bergman. Of course, it only has a trace of Antonioni's character temperament (the kind of contradiction and confusion on the sister's body, and the occasional emptiness). ), on the whole, it is still the original Bergman (the complex psychological and logical relationship between people). The perspective of the film is very objective, the content is full of metaphors, and a lot of metaphorical scenes and character elements are added (sister and sister and son John, all the scenes and supporting characters except the three main characters have some kind of metaphor, because I don’t know enough about it. The logic behind this metaphor, so not expanded). On top of this, using the little boy John to balance the realization of the contradictory relationship between the sisters in the film, this actually gives the film a scene and the only superfluous protagonist other than the supporting characters as the only one in all the objective existence of the film. The subject, he explores everything, observes everything, seems to understand something from it (everything that happened between mother and aunt), or maybe he can really understand it when he grows up. In the film, the two absolute subjects as the core of the characters, that is, the pair of sisters, reveal the complex contradiction, estrangement and even hatred between the two almost from the perspective of the unity and opposition of the subconscious and the consciousness presented by human spirit and behavior. , where the basis of the character relationship is the family level. The elder sister (preferring to represent the human soul→spirit) and the younger sister (preferring to represent the human body→behavior) are also two sides of the human body to a certain extent, that is, the contradiction between the human body and the soul. Or it is the human consciousness (sister→control) and subconscious (sister→resistance), all contradictions and resistances are self-contradictions (spiritual and physical contradictions) of the two, and they are the contradictions between consciousness and subconsciousness on both sides of one! 90 points for video, 95 points for script, 90 points for director, 95 points for performance, 90 points for innovation, 92 points for works, 0.9 points for content coefficient, 83 points for film history
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