the original is Mel Gibson's own company ranked no wonder -
1- he was a man easily subdued "big benches Ya's subordinates, is it just the little brothers in the three houses? The little brother who heard the gunshot was scared away?
2- The boss's son went to watch a boxing match. Now that he has found the target, why not kidnap him directly, and bother to let his woman seduce him? Did the plot develop to this point when the director suddenly found that the female number one scene that slept last night was not enough?
In short, opponents in Gibson's movies are always equipped with cheating devices, and the male number one seems to be in the realm of no one. The shadow is the shadow, it has no connotation, is not real, and always floats.
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