Think about your Japanese country is really vulgar, your people are vulgar, your artists are also vulgar, your old people are vulgar, your children are also vulgar, in short, you are not as noble as the heavens, we have "Pleasant Goat and Big Big Wolf" and "Sparkling Red Star" This kind of animation blockbuster with novel themes, progressive themes, exquisitely produced, and high-quality is not something you can reach in Japan within ten or twenty years.
The crude and vulgar cartoons like "Golden Fish on the Cliff" absolutely do not meet the standards of our theaters. The successor to our modernization career is absolutely unacceptable to such a decadent and backward cultural establishment of the bourgeoisie. Corrosive.
1. Old-fashioned theme. First of all, the story of the love between man and the mermaid has existed since ancient times. The film almost copied Andersen’s "Daughter of the Sea" intact, which is suspected of plagiarism; changing the final ending to a bright reunion is undoubtedly even better. It is a clumsy stroke, which not only loses the depth of the story, but also fails to give people inspiration and thinking; objects such as the underwater kingdom and the monsters in the water have long been commonplace. These sections are in Western fairy tales and the classic Chinese classic "Journey to the West". It has long been used up, we have to sigh here, how limited and pale the imagination of the film screenwriter is.
2. The theme is not clear. We speak of writing to express the truth, and literary and artistic works should put the theme first. Whether a work is excellent or not, the decisive factor lies in whether it has a positive theme, whether it can educate people with advanced ideas, whether it can impress people with real emotions, and whether it can shape people with a positive spirit. What we see in this Japanese movie are only gloomy themes and bourgeois petty tunes that have no educational significance at all. First of all, in the film, apart from the short and ordinary trivial things in the parents, the ignorant feelings between little boys and little girls, there is no positive theme that can inspire and motivate people. The Chinese animation masterpiece "Sparkling Red Star" inspires people with revolutionary sentiments and inspires people with patriotic thoughts. Only when students watch such a film will they be rewarded and will have a positive guiding role for their future growth; secondly The film is full of ordinary life’s firewood, rice, oil, salt and trivial details. The characters and events are extremely ordinary. There are no characters with distinctive personalities, and there is no ups and downs. We have left an indelible mark in our hearts. Such a vulgar and boring work will only dissipate over time, and it will definitely not leave a deep impression on people.
3. Right and wrong are not distinguished between right and wrong. Apart from the lively and lovely children of the hero and the heroine, the attitude of the sea god who plays the villain is ambiguous. As the father of the heroine, he always goes against the positive characters, sometimes good and bad. Unclear position is definitely not conducive to the establishment of a value concept that distinguishes between love and hatred and right from wrong. It will only blur the boundary between the enemy and the enemy and relax the struggle against the enemy. In the long run, should our successors not distinguish between right and wrong? The villain should be like Big Big Wolf in China’s excellent animated film "Pleasant Goat and Big Big Wolf" and Hu Hansan in "Sparkling Red Star". He is a thoroughly treacherous, treachery, and unforgivable person, so that students can recognize his ugly face as soon as possible. Resolutely draw a clear line with it. The shaping of positive characters should also adhere to the concept of “prominent positive characters among all people, highlight heroes among positive characters, and highlight main heroes among heroes”, and portray people like Pan Dongzi and Pleasant Goat who are desperate and heroic. A heroic figure of great fearless sacrifice.
4. The absurd story Although classical masterpieces like "Journey to the West" are cultural treasures of our motherland, when we inherit it, we also want to get rid of the dross and take the essence. After all, the set of pretending to be a ghost is a remnant of feudal thought, and this one Japanese movies are full of absurd plots that make people feel confusing—a fish has a human face, and it will transform into a human form after licking human blood. Several old ladies who have been paralyzed for many years ran away. It’s ridiculous that a person who changed from a fish out of thin air swaggered the market and then walked into the human family. The big family also readily accepted it, making people wonder if the people in this story have problems with their brains. We grew up under the teachings of Marxist materialism. The successors of a generation should not be immersed in such absurd stories of ghosts and gods. They should wake up in time and resolutely resist.
V. Unhealthy content The most serious problem with this film is that it blatantly instigates young children with unhealthy adult thoughts. Such behavior as in the film has long gone beyond the scope of serious premature love, and it can even be said that it violates the principles of human ethics and is often despised by society. The heroes and heroines in the film are in love with each other when they are only five years old, and they are privately booked for life. How can a five-year-old child know what the relationship between men and women is and how can they judge right from wrong with mature moral values? Chinese children at this age are in an important stage of receiving ideological, moral and cultural education. They are a stage in which they thrive under the sun of socialism. They definitely cannot be corroded by the decadent ideas of the bourgeoisie. Based on this alone, the film is It must not appear on the screens of theaters in our country.
6. The sea in the dark film is full of garbage made by humans, the seabed is filthy, and the marine ecology has been severely damaged; then a huge tsunami roared straight to the coast with an extinction force, and the homes of mankind were destroyed. , The lives are overwhelmed, the family is broken and people do not know if they are dead, but it is certain that this terrible end-time scene is a manifestation of the film director's negative and pessimistic values, and it was imposed on the audience by his wishful thinking. Marxist philosophy tells us that a person’s knowledge is restricted by the subjectivity of the subject. The author sees such a bad environment, and even the waves that he sees are monsters with abominations. This kind of mentality and perception of things are very negative. , The viewers who have seen it, especially the children's viewers, are bound to leave a lingering shadow in the hearts of the audience.
7. Rough production Japan, the so-called capitalist developed country, which claims to be prosperous and prosperous in the economy, is in fact nothing but gold and ruin. This is evident in the crude production of the film. The film did not use the internationally popular CG animation technology at all, but was only made with poor hand-painted. The lines are rough and the picture is monotonous. It is far from the real image. This backward production method is laborious and inefficient. In our country, It has been abandoned for a long time. On the other hand, China’s excellent animation films "Pleasant Goat and Big Big Wolf" and "Sparkling Red Star" have reached 3D scenes technically, with dazzling colors and full pictures, and their visual effects are far superior to those of foreign films.
The "seven deadly sins" of this film, the successors of our motherland's socialist cause, who must have revolutionary noble sentiments and aesthetic appeal, would not go to see such a vulgar film, but if you see the grass, you will be moved to see Fake Squid. She shed tears, wore King Adi when she wore shoes, and drank Milky Trensu. He was a downright vulgar person, so it didn’t hurt to take a look.
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