The gangster is displayed from the inside of the black neighborhood, and the character image is very full. The establishment of the character image under the lens is logical, which satisfies the so-called stereotype of the audience, and the feeling is smooth and true.
What is more special is that there are two families interspersed from beginning to end, two generations, living and raising in a poor neighborhood. Tre's father did not hesitate to shoot the thief, and he would also stop Tre from "End up like doughboy."
The fate of the neighbors and brothers is even more extraordinary. When I was young, my elder brother would go back to rugby for his younger brother, and echoed the ending. The younger brother had better grades and was favored by his mother since childhood. The brother’s reaction was also more real, not as dramatic as hate each other, but just Stopping this unhappiness on the surface, just after being pulled by the mother, and seeing the enemy’s car, he will immediately go out to search for his younger brother with vigilance. After the younger brother’s death, revenge frantically will give people an illusion. This kind of passion is the meaning of The ones on the streets should be respected. But in fact, at the end, when my brother talked to Tre, he could feel his loneliness. Solving the enemy with his own hands would not be able to change his brother, and he might even ruin himself or even the whole family.
In the movie, you can see the integration and compromise of the previous generation in the neighborhood, and the hope for the next generation to get out of the neighborhood. After the death of the younger brother, the mother went crazy and desperate.
The director also added the image of a hideous black policeman. He even hates blacks more than anyone. It can be guessed that he also grew up in the neighborhood. Seeing generations of people grow up from this neighborhood and blend in, his hatred seems to be Showing a certain sense of powerlessness, no one can change this neighborhood, at least he can't, but maybe the kids on the street can. He threatened Tre's father, then turned around and greeted Tre kindly, as if sincere as if provocative. Later, when the black police treated the adult Tre, he showed a hideous face again.
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