The story seems to start with a murder in a quiet town, but it doesn't.
The real beginning of the main line is when the writer sends flowers to such a manly female police detective who is fearless and fearless. When the heroine Mare appeared, she was smoking an electronic cigarette and drinking beer with her legs on the table. She has no patience for residents' police behavior, always puts on a bad face to new detectives, and doesn't seem to fit in with her own family life. Nothing in her life seemed to be smooth. When her ex-husband got engaged, the whole family knew about it for a long time, only she knew nothing about it; her beloved son committed suicide not long ago because of convulsions and depression, and she was still immersed in the grief of losing his son; The mother was reformed after taking drugs, and she did not like to let his mother seize the custody of the little grandson; the disappearance of the young girl who had been investigated for a year has not improved, and she is often attacked by the masses in her life;
On the first day of the murder, the writer invites Mare to his celebration dinner. As the person in charge of the case, Mare, of course, refused. But the writer said it was okay, I saw the coverage of that case, it was really scary, they were lucky to have you here.
“I saw that they found that young girl’s body. That’s… that’s awful. Well, They’re…they’re lucky to have you.”
This sentence wakes Mare like the first drop on a stone. She immediately asked about the time of the party, and was willing to start trying to get out of her gray circle of life. Her change has since run through the whole play and has become a sublimation of the theme of a suspense play.
There are many classic suspense movies, but less TV series. "Nightmare in the East City" opens a new chapter, that is, there is no science fiction of "Stranger Things", no religious worship in "True Detective", and no serial perverted murderers involved in most plots. Only one person died in the whole play, which was still caused by the manslaughter of the little boy when he grabbed the gun. It brings the case to real life in an unprecedented way. Like today's argument, it takes the form of TV dramas and uses the heroine's character changes as chains to restore the grievances and grievances behind the seemingly simple case.
Some people have been reasoning while watching the show, wholeheartedly wanting to know who the murderer is. Some people dislike men after reading it, thinking that women are responsible for a lot of men's faults. Some people think that the relationship in this small town is very bad, and the relationship between people is glued together and cannot be separated. But the truth is, what kind of person you are, what kind of world you see. Life is just an appearance, the violence, guns, male sexuality, female control, a mess of relationships is what you see in the East Side. And then there are other things happening in Dongcheng at the same time:
When Dawn knew it was her friend's black brother who called him to threaten him for money, she didn't expose him; Dylan finally gave the money to Lori even though she knew she was not the father of the child; even though the priest was misunderstood and sexually assaulted, she Beaten up, and finally got back on his feet and went to the podium to continue preaching;
What this show has to say is simple: to forgive, and then to love.
It tells us to never lose the ability to love people because you don't know what your love will bring to those who live in the shadows.
It's like at last the priest plucked up the courage to stand in the church again: "People commit crimes, lie to us, they have no place here. But we shouldn't be the kind of people who judge other people's lives. We only have to All you do is, love. So I urge you to go to them, even if they push you away and say they don't deserve your mercy, you can't give up."
"But there are members of this community that haven't emerged with us.
That the transgressions they've committed. The lies they've told. Have no place here.
But it's not for us to decide whether or not they're deserving.
Our job is only to love. So, I urge you to go to them. They'll push you away, they'll lock you out. They'll tell you they're not deserving your mercy. Don't let them. "
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