burning and "burning"

Rachelle 2022-10-05 08:53:34

The stronger the painting, the weaker the plot. The rhythm of the first three episodes is the best. After three episodes, it will enter the procrastination unit drama. The amount of information in each episode is very small. It is not necessary to explain those things in 20 minutes of content. In the mid-term, he started to exert his strength, but he still did not get rid of the stiffness and insensitivity of burning for burning. The rhythm is weird. I know Imaishi Hiroyuki's trigger style, but as a family father, I really don't find it funny and funny to "peep" in front of his wife and daughter every day. In the first episode, the students were beaten by the Disciplinary Committee for stealing their uniforms, and the exaggerated performance of being stripped and hung at the school gate is completely bullying. In the early and middle stages of the animation, it was constantly emphasized that "the death of a student is not a pity. It's just such a bunch of pigs", and what he said to the heroine was not "I'm going to beat you to convince you", but "I'm going to kill you" and other tone and lines. These intensified emotions and intensified contradictions suddenly became "protect the students, don't let them get hurt" from a certain set in the follow-up blunt whitewashing. The oad's filling in the hole interprets these as verbal disguises. It's really light, and all these bad lines can find corresponding actual actions. For example, the behavior of wanting to wipe out the naked organization in the middle, after relying on the organization to successfully defeat the BOSS, the second heroine seems to be more arrogant and convoluted, and the role played by the nude organization in the later period is evident.

All whitewashing is so blunt. It just makes me think it is: the enemy becomes a good person, the heroine becomes bad and transforms in the clothes of the enemy, and then the heroine becomes good again and puts on her own clothes with her biological sister (the former enemy) and transforms into a fight against the biological mother. ?

Very trigger and Imaishi Hiroyuki's style!

So why is it so rigid?

The script in the later stage can be said to have collapsed across the board, and it completely served the performance, but it really made me ignite. But if you think about Killkill's painting level carefully, I have to endure it for 20 episodes before it can be ignited. How third-rate is this script?

Imaishi's fallen leaves made me sigh "This is animation! This is animation!" After Promea made me amazed, "Animated movies can be so cool!" But Garter Angel and Killkill had to make me sigh maybe This simple and rude style is too simple and rude in TV dramas to be acclimatized?

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Extended Reading

Kill la Kill quotes

  • Satsuki Kiryuin: Fear is freedom. Subjugation is Liberation. Contradiction is truth.

  • Ragyo Kiryuin: La vie est drôle.