The applause ended when the crew was on the list, and suddenly, a voice-over sounded to explain some kind of creative intention... So we, the audience sitting in the Baiziwan Archives 61 years later, were also stunned for a moment. It's a hyper-neorealistic erotic drama, if you may say so. Renoir fully open. The huge chasms and absences that suddenly appear in life, from which the flow of lust ravages modern men and women. (From this point of view, "Eclipse" is still good-looking) This story is completely okay, and it makes people want to move to a modern environment where various concepts are so rich, all kinds of absences are so common, and all kinds of boring are readily available. "Modern Love Trilogy"). So at the end Sandro's cry and Claudia's consolation may seem unbelievable at first, but that's where the problem lies. child. I think Antonioni (at least in the films made in Italy) still portrays ordinary people in a realist perspective - especially the scene with the pharmacy owner, who has been married for three months and is already dead and full of suspicion.
A better scene is the studio scene, which sets up the incentive for the heroine's erotic changes (by the way, the breaking point of the later intimacy scene is the train, the same as Renoir) and presents a large number of brutalist African paintings. The appropriation of Afro-modern colonial elements is also seen in Eclipse.
The opening was a minute late, and the credits happened to be playing, and I couldn't help but be grateful for the habit of past movies. The audience isn't here yet! Put something. Later, I saw many amazing depth of field scheduling and lens design, and the ultimate use of the frame. This is a slice of interesting benefits that only Selah can see.
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