. . . I really don't give such a low rating very often. But how did this drama do it? The men in the supporting cast of tenants are extremely disgusting, and the women in the protagonist group are not even as attractive as the female characters in the supporting cast, and they torture the attractive characters to death? Doomsday dramas either show the brilliance of human nature or highlight the inherent evil of human nature. Who wants to see a bunch of flat and obnoxious characters messing around? Huh? Especially domestic violence men, younger brother men, bathing men, green striped black frame men, apart from being annoying, what else is necessary for their existence? And the female character of the protagonist group, the ballerina is forcing the contrast between the inside and outside. Didn't some of the things she did really hurt others? Both words and actions. Hanging ear dye has some but not full personality. The firefighter heroine is even more miserable. Except that she only remembers that she is an iron-blooded female warrior, there is no intention to shape her personality. The male character of the protagonist group, when the hooligan smashes the pedophile who has been killed by a thousand cuts, can be said to be the coolest point in the whole play. But it has been abused since the beginning. The story line of the mushroom head high school students is too confusing, and it will be sorted out later. . . Just want to say is there something wrong with the bully? This character, as an important role in promoting the transformation of the male protagonist's character, is either set up in place, or well-behaved. This inexplicable reason for bullying just feels illogical. Finally, the religious brother, can only say that the death was too hasty. awful. Lastly, let's talk about your favorite characters. One is Lord L's belly, the Lord of the arsenal, the elder sister among the siblings, and the female characters in the supporting cast of tenants. The baby carriage mother, the knife-backing sister, the nursing sister, and the student head sister. I can't even remember their names and backgrounds, but just a few words can tell the characters and highlight the arcs of the characters. So I'm thinking, it's not that screenwriters are incapable of writing characters, but how do those upsetting characters come to be? Is it because the screenwriter really thinks that some ordinary Korean men are really like this, and is the school violence in South Korea so light? I have no idea.
In the end, Song Jiang is handsome. Ha ha.
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