I like this kind of editing and narrative technique, and tell a story from different perspectives. The narrative technique of this suspense film is worth learning from. First, I will explain the small stories that happened in each person's own perspective. The suspense is left to the relationship between the characters and how to string them together. These plots are not like some domestic dramas that put out the relationship between the characters of the eighteenth generation of the ancestors, and then tell the story in a sloppy way. . . The way and technique of telling a story is very important. The director and screenwriter of this show obviously understand it well, and a small climax is designed at the end of each episode.
I watched it for Mario Casas. After all, he just won Goya's best actor at a young age. From his debut in the first starring three meters above the sky, to the invisible guests and then to this one, they are all high-quality films. The future is bright (I still slapped on the death of him and María at the beginning, although María is married to Dudamel now, but the two people with such matching names did not get together, which is a pity). However, the male protagonist in this play is so useless, Mat takes advantage of the whole from beginning to end, except for a minor twist at the end, which is a clue character who does almost nothing, and his role and performance are not as good as that of the Inspectora. Ortiz and Olivia.
The theme of girls help girls mentioned in the film review is not obvious. Isn't one of the masterminds behind the final blackening also a girl, and I feel that the film does not over-exaggerate this aspect. It is mainly a story of understanding and redemption. Sometimes forgiving others and letting go of the past is also a redemption for oneself. It is the father of Kimmy and Dani.
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