She can die for you and I can't

Humberto 2022-03-22 09:02:40

I don't like the first man and I don't like the second one, and women always need more stars than bread. In the whole drama, I didn't see the girl eat well, the first time I saw her eat well , that is, eating a strawberry fed by a hooligan, at the cost of her chastity, there are several scenes of eating in the middle, either eating a piece of dry bread in a field stem after work, or running around for a long time to find a living where the master greeted her for dinner, she drank milk from a wooden bucket, and then on the wedding night, the cowardly husband briefly explained his fault, the girl hugged him and forgave him, and then she imitated his tone and said, I also said succinctly, I didn't expect, and the exchange was, I went out for a walk, fuck your uncle, can you get away, poor girl, this is the first time I saw a good dinner with meat There is fruit, when the disgusting man comes back and sees all the food he has eaten without taking a bite, he says you are no longer you, there is another soul living in your body, the girl is gone, this disgusting man, he also greets other girls who like him Can you go with him, the girl said, I can let go of everything and follow you, he actually asked, do you love me, of course, the girl answered, and asked again, who loves me more than that, innocent girl Said, no, she can lose her life for you, and I can't, it turns out that women who understand women are women, and Tess killed her for the cowardly husband who finally suffered outside and chose to forgive him to come to see him Cousin Jin, thought she could die for her, just because they discussed the starry sky and the soul together, go to him

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Extended Reading
  • Bradford 2022-03-27 09:01:18

    Like a dense fog that has drifted away many times, everything is nothingness. Polanski's first feature film after his return to Europe, adapted from Thomas Hardy's novel "Tess of the D'Urbervilles", except for the tragic color that Old Bo has always had, this is actually very unlike Polanski. Kinski, who is under 20 years old, is so beautiful. The scene of being fed strawberries reminds me of the 62nd version of "Lolita". The encounters of the little people in the big era are almost destined to be victims forever. The courage to urge them to turn into the perpetrators, and finally question the injustice of fate. Who will explain it to us? I thought that the name of an angel was salvation and restart, but it was just the beginning of the next tragic cycle. The rich scene changes of light and shadow colors show the intersection of tangle and joy before revealing the truth, paving the way for the collapse of love beliefs at the last moment of the wedding night, and using the camera to separate the two worlds early. It almost made the epic of little people, but the look and feel were still a little worse (especially the second half). The deletion of the original work is handled with ease, the scenery and soundtrack are so classical, and I still admire Polanski. At the end, the rising sun of Stonehenge is the same as the last shot of "Chinatown".

  • Kennith 2022-03-14 14:12:27

    Polanski reproduced the original work perfectly visually. The photography is like an oil painting, and the scenery and costumes are so beautiful. Several intense plots were omitted, and Kinsky performed restrained and restrained (not inferior to [Texas Paris]), blending with the calm and melancholic tone of the whole film. | The mist that surged when Tess was seduced; a trace of blood seeping through the ceiling; the morning light was faint, and Tess was lying alone in the stonehenge, dressed in red, and the vast fog scattered, unable to resist destiny in the end. (9.0/10)

Tess quotes

  • Angel Clare: I forgive you. But, forgiveness isn't all.

    Tess: Nor love me.

    Angel Clare: I can't help associating your lack of firmness with the decline of your family. Decrepit families imply deficient will power and decadent conduct. I thought you were a child of nature; but, you were the last in a line of degenerate aristocrats.

  • Angel Clare: Leave that! You're my wife, not my servant!

    Tess: I'm your wife? You don't want to live with me. You want to go, don't you?

    Angel Clare: I couldn't stay without despising myself. What is worse, without despising you. How can we live together while that man exists? He is your natural husband. Not I.