This film is a very rare masterpiece of literary and artistic films in recent years. It pays great attention to the hearts of the characters and depicts it in a real and delicate manner. Even in another country, in another era, you can still find empathy from the characters. The film focuses on the young age, and Ceylon's thinking and acceptance of life cannot calm his anger towards life. In his eyes, everyone and everything is like a wild pear tree, lonely and deformed, with an ugly appearance. This is the struggle process that must be experienced in the stages of life. The plot is very wanton about what Ceylon saw and thought during this process.
There are two paragraphs of discussion, which are very interesting from the perspective of literary films. In one part, Ceylon engages in a theoretical debate about literature with the town's most famous writer, who berates him angrily for not understanding the nature of life. Combined with the film's strong autobiographical overtones, it's more like the director berating his past self years later. At the other end, the discussion was more sensitive. Ceylon discussed Islam and the backwardness of Turkish society with young people serving in two religions of the same age. There are too many metaphors and symbolic symbols in the film.
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