It is desire that guides Oscar's life. Because of desire to find Mimi, at the beginning of this love, the beauty of desire is fully discovered, and in order to publish a book, he spends a lot of money for sensuality. But desire is a monster with an amazing appetite, which requires constant swallowing of freshness and patience, and this monster also brings a strange youthful vitality to the human body, leading people to squander and create. Oscar and Mimi are both lust-driven actors. The freshness and patience have disappeared. Oscar's desire drives him to get rid of Mimi and seek more fresh and expansive stimulation. Mimi's desire makes her yearn to possess Oscar forever. The two enjoy the pleasure of abuse and masochism in this kind of involvement. For a frustrated writer and a poor dancer who has fallen out of love, love is almost all life, all power bursts out of love, and every episode of life is devoted to sexuality and performance.
In the porthole of the plane, there is a miserable moon. The insatiable desire to eat began to eat them. One had a broken leg, and the other was so sick that he was dying. Both were severely attrition. But it's not over yet. Mimi still wants to cling to her love, her revenge, she wants to tie Oscar by her side and torture him, but her heart is empty, she can't be alone. Oscar should have ended everything early, but it was still desire. He wanted to watch the next episodes, even if he was abused, he was not willing to be a bystander. The lonely life after being paralyzed made him like a real writer, re-examining his feelings for Mimi and re-exploring his past life.
Such two people, their lives will never end ordinary, and their desires are tired. They prank, act, and confide in the past. This will wake up Nigel and avoid taking a dirty and mediocre emotional fork in the road. The story is here, quite the taste of Ming and Qing novels. Their lingering desires have found an unusual way to die, and this way of dying is a confrontation with desire.
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