The first is a man like Tristan, who loves you more than life, but not beyond loyalty, man's dignity and reputation, that is what makes Tristan himself; but he loves you with all the rest .
He loves you until he dies; after you, he will not love anyone else.
This love is flesh and blood, and you will be miserable, but you have the fidelity and nobility of love; it is entirely from him, and he is heaven.
But this love was meant to be torture, he was too good a man, like Tristan. Such a person will always be pushed to the leading stage of life by fate, where he always faces too many tests and needs dedication at any time, including you. Because you love him like this, you can't ask him to give up, responsibility, obligation, dignity and morality for you; moreover, because you love him like this, you are always in pain and despair, there is no hatred, you can't give up, no one can give you him give you the feeling. What you love is his divinity.
The second, the opposite.
He loves you like a finger of himself, cherishes it very much, it hurts, but when necessary, he cuts it off to save the rest of the body. He loves you because he loves himself, and you are part of the earthly world that makes him happy, in other words, not necessarily you.
So, he loves you until you die, you die, or you go, anyway, and he'll be happy. It's not obscene at all, because when you're there, he will keep you alone, at least, abide by the morals of the world. Such abide by the fact that he becomes a part of him, and it has nothing to do with you.
This kind of love has a very high probability of happiness, because no one is the only solution for the other to survive. In other words, there is no pressure, sustainable development, you are gone, and there are others. The philosophy of such people is to live a good life. is the last word.
Separated, you will never be painfully breathless, as long as you are still living happily in the world; he is a part of the world himself, and he loves you with the temperament of a mortal. What you want for him is to obtain all the happiness of the world under the moral promise of ordinary people.
You are all a speck of dust in the floating world. Occasionally meet, so stay together.
(two)
I think Tristan has a bit of Chen Jialuo's taste. Of course, Chen Jialuo can be hypocritical.
Not so with Tristan. He has never been ashamed of anyone. It is only because of the moral imprint of divinity on the body that there is tragedy. In fact, Tristan follows a traditional tragic logic, morality, responsibility and love, these two things can become touchstones in any outstanding man, and then send them to the altar of being turned into a god, and their lover is the sacrificial tribute .
Such a man never defends himself, is tenacious, tenacious, assertive, has an oriental forbearance and quietness, and is very charming.
James Franko's performance is very delicate, his expression is very soothing, and the flow is like water. When he is fascinated, he is very dedicated, and when he is in pain, he is silent. Sometimes he is like a child who is too sensible.
Such a young body carries a painful and profound soul.
(3)
It is this Tristan that Isolde loves. Pain is the price of high quality and high quality love.
Isolde is brave and fresh, a woman who lives by her heart, and an ordinary woman who cannot escape lust.
Indeed, such a tragedy requires only one Tristan, and watching him struggle is a drama.
Sophia Myles was unimpressed because her Isolde was being pushed away by Tristan. It was Tristan who wrote this tragedy.
In this version, Isolde has no chance to become Arjuna, and she is not Arjuna, she wants fresh happiness, so this is Tristan's tragedy.
It's a few James Franko shots, which make people feel sad and can't shed tears.
In the arena he looked at the princess named Isolde who had rescued him, dumbfounded, and was pulled away;
he said, you look very happy, he pours you wine, you kiss him, I am jealous.
He said that the thought of him being with you breaks my heart.
We have to stop, he said.
. . . . . . . . . . . . . . . .
So, she cried, he was contradictory, and the tragedy came out. Tristan's contradictions are the emotional side of people, and because of contradictions, he has flesh and blood.
When tragedy is abbreviated by Hollywood, this kind of torture is suddenly very pleasing to the eye, and we don't know which part of human nature fits, but we actually enjoy it very much.
Perhaps because the harder it is for a mortal to free himself, the more strongly it touches our humanity.
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