Turn him back into a human!

Dorthy 2022-03-21 09:03:02

There is a line I like in "Copying Beethoven":

"How does a movement end?"

"It doesn't end, it flows continuously. It is no longer a beginning and an end, but no beginning and five ends! This is not a bridge built by your boyfriend, it is a living thing, It's like white clouds drifting, tides ebb and flow."

"How to express it?"

"You don't need to express, you just grow. One becomes two, this thought is reduced, and the other is born! You compose music, deliberately seek work, stick to structure, and have forms. Listen to it. Quietness is the key to one's own voice. Only when you are quiet can you hear music. The quietness in the notes, all sounds are silent, and the soul sings..."



There is also a paragraph:

"The bridge you build is only to connect places, the bridge I build is to connect people's hearts! Redesign your bridge with this feeling of anger, sadness, despair..." The



film is full of wise lines, annotating Beethoven's eccentric character behavior, and finally reducing him to a human!

Music is the language of God, and God gave Beethoven the talent to create music, allowing him to spread music to the world. God stripped Beethoven of his hearing again, making him unable to appreciate the music he created. Is this a sin or misfortune?

The origins of art, philosophy, and life are interlinked. Find and perceive from nature, and find and perceive from yourself. Don’t blindly expand outwards. You should first feel inward. The small universe is infinite, so don’t be blinded by a single leaf!

Ed Harris and Diane Kruger are great actors!

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Extended Reading
  • Arden 2022-03-26 09:01:12

    The name of Beethoven in love is too much~~~~~

  • Royce 2022-04-24 07:01:22

    I still love Mozart...

Copying Beethoven quotes

  • Ludwig van Beethoven: I'm a very difficult person, Anna Holtz, but I take comfort in the fact that God made me that way.

  • Ludwig van Beethoven: [conclusion--Beethoven is describing his "Song of Thanks to the Deity"] No key. It's common time, molto adagio, sotto voce. First violin, quarter notes. Middle C up to A. Measure. G up to C, tied, F. Second violin, bar two. Middle C up to A. Double note E, G, C. Viola clef, 2B pressed. It's a hymn of thanksgiving to God, for sparing me to finish my work. After the pianissimo, the canon resumes. First violin takes the theme. Viola, C to A. It's growing, gaining strength. Second violin, C to A, an octave higher. Then the struggle. First violin, C, up an octave, and then up to G. And the cello, down. Pulled down. Half notes, F, E, D. Pulled constantly down. And then, a voice, a single frail voice emerges, soaring above the sound. The striving continues, moving below the surface. Crescendo. First violin longing, pleading to God. And then, God answers. The clouds open. Loving hands reach down. We're raised up into heaven. Cello remains earthbound, but the other voices soar suspended, for an instant in which you can live forever. Earth does not exist. Time is timeless. And the hands that lifted you caress your face, mold them to the face of God. And you are at one. You are at peace. You're finally free.