The objective evaluation of the director's arrangement is relatively close, and there are not too many flaws. It can be seen that he is particularly good at showing the complex psychological state of the characters in the claustrophobic space environment. The
character depiction is deliberately short, direct but very improvised. Although it ends hastily, the process is complete. The actors do not need too many words to express their conflicting hearts, just like that cross-country border, where various emotions are intertwined. When the torture of human nature is so straightforward that only good and evil exist, it must be very exciting. In the
past, this line was also a gold rush, and it still is. No one will dislike the slow speed of the train. Of course, the audience likes to "consume" it like this, but the director is not idle. Drinking wine slowly, traveling leisurely, and characteristic cultures with different styles will definitely indicate that some particularly tangled plot elements will take place in it. Perhaps only in such a complex and unfamiliar environment can we fully release the encounter that is by no means trivial.
The itinerary I like to choose, although it is not the standard Vladivostok-Moscow section, it is also the world's longest severe cold railway line trip, full of unknowns and adventures. The real Trans-Siberian spans as many as 8 time zones, and the Baikal and mountain skiing not expected in the film. The photography of this film can also be praised. It is not easy to shoot on the train so that the process is not narrow. The tone is also relatively stable
. The actors are well combined with the old and the new. The performance of the protagonist Emily Mortimer is worth watching
. Kingsley's opponent and Kate Mara's youthful flying are pretty good.
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