Dying reflection is not as good as the three daily reflections

Meaghan 2022-03-26 09:01:12

#pullsheet# 06:52, Longitudinal away. 07:46, the opportunity to use music. 10:24, Poems and Poets. At 12:25, use the child to shift the point of view, then pull back the point of view, and meet. 15:27, the writer who gave up writing, the history is explained here. At 16:48, time was broken by a layer of yarn. At 20:32, going back is closer to memory than going forward. 32:50, a maze-like ruin scene. 59:19, writing poems with movies, people walk through the poems. 1:24:44, compassion. At 1:31:13, the poet travels through time and space in memory. 1:45:30, the performance at the rear of the car, the romance in my heart. 1:55:32, dealing with death. (The last wish has been fulfilled, and it should end here.) 1:58:07, nothing. 2:05:46, back and calling.

Thaddeus 2022-03-25 09:01:19

Long takes often begin or end with a zoom, and the scheduling, soundtracks, and sound effects are brilliant; however Angelopoulos' films have always made a focus on form over an empathic investment, with a style that lends itself to an essentially unadorned emotional subject matter. It is too calm and difficult and unnecessary, but for a larger topic, it shows a lack of abstract form; it also involves death, private memories, feelings of family and country and loneliness. Compared with "Nostalgia", this film is a high judgment. ——So An Shi actually just "changed a style (usually not used for sensationalism) to continue sensationalizing" and failed to rise to the level of intuition or subconsciousness. In this sense, he and Wim Wenders can be described as Shaw Like; they may be essayists, but not poets.