It's not fun to leave the comics. .

I still remember MAKA's extremely skilled scythe dance at the beginning of the animation. After that, the squeaking of the floor when the ghosts and gods were resurrected was heart-wrenching, the train running wild on the desert stage and KID's handsome skateboard, and the majestic sense of oppression when the god of death fought with bare hands. . .

After the separation from the comic plot, the screenwriter's powerlessness was exposed, and there was no longer a variety of scene style changes. The mad clown image was transformed into a symmetrical robot guardian with a barren voice. A good guy who played handsome, but ended up being a cliché in the end blocked the bullet; the many bright and dark lines laid out in the first half of the comics ended in silence like a helical cannonball entering the sea of ​​high-density anti-spiral universe.

The most embarrassing thing is that he kept shouting "your soul, I'll accept it!" before each battle, but in the end, the soul of the ghost boss was scattered by a punch. . .

Although I think this is a story about courage, it is not bad, but I think the opposition between the "instability and breakthrough" of the madness and the "maintaining stability" of the death martial arts is the core of the work. . .

So, if you like Soul Eater, read the comics!

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